Bridge with a single round arch.

Church with baroque architecture with nave and chancel, sacristy and attached bell tower. Inside, it has a false barrel-vaulted, stucco roof, high choir, pulpits, and altarpieces in gilt and polychrome, Mannerist, aedicule type, the laterals and the chancel are baroque.

Chapel built in 1692 where the carved stonework stands out. The portico is flanked by four very elaborate columns. On the top there is a niche with an image. The inside is composed of a nave, highlighting the altarpieces.

A contemporary of King Manuel I, who granted the town a new charter in 1512, and being one of the best preserved in Portugal, the Pillory is built on eight steps, has a spiral shaft topped by a capital with heraldic symbols and is topped by five spiral pinnacles.

The Crasto de Palheiros, or Fragada do Castro, is an imposing quartzite ridge that was carved and built by the populations of that region of the Trás-os-Montes Hot Land between the beginning of the third millennium BC and present times.

Shrouded in popular legends and its origin or purpose not known for certain, Porca de Murça (Murça´s Female Pig) is an unequivocal symbol of the town, even giving its name to well-known region's wines. It is a zoomorphic stone sculpture from protohistoric times and is thought to be a votive statue to sacred animals.

Church of mannerist architecture late-Baroque and neoclassical, with nave and chancel, with wooden ceilings. Features inside chorus-high built-in on the wall, confessionals, pulpit in the Gospel side, lateral revivalist retabulares structures, neoclassical side altarpieces and altarpiece-mor late Baroque.

18th century church with Bell Tower located near laterally. The interior features carved altarpieces painted and gilded.

Baroque church with the present interior altarpieces of late neoclassical style. The imaginary is recent production, with the exception of the Baroque image of our Lady of the Rosary.

Baroque chapel with main façade marked by broad range from perfect round. Is within a typology of chapels associated with the Calvary and the passion of Christ, with similar examples in the chapel of the bridge in Mondim de Basto, among others. The main altarpiece is vernacular.