Alentejo where Orange predominates and the space is decorated with objects from India and Morocco. The rooms are situated on a porch, being all different, each with its color and representing the five senses: a painted red for the palate, the blue for the vision, other, yellow-ochre, where a smell of incense, the sense of touch with white walls and wooden Indian stamps on the walls reminiscent of tátil capacity.

The façade of this building follows two different lines, one with several windows and doors around a central vertical body, and the other with several windows with iron grates. The back of the building was turned into a leisure and spiritual refuge area with three interesting architectural features: a small Swiss chalet (The Tea House), a revivalist and eclectic chapel and an interesting traingualar building, named the Hothouse.

A church with one sole nave and frescoes of the 16th and 17th centuries that show angels with incense, dressed in the 1500s fashion, and also a group of images related to the life of Jesus.

The chapel, which burned in 1895, has very simple lines, with a masonry portal and an opening on the fronton, composed of a high altar and a sacristy. Two different architectural modules can be viewd here. Inside, one can find a John Paul II tile of the 1980s and a Saint Peter of the 18th century.

A small rural temple where the pilgrims come. A special note to its general architectural quality and to the chapel's tiles.

The oldest temple feature is the primitive image of its patron saint - Saint Bartholomew - in calcareous rock (14th century), currently in the parish residence of Santiago do Cacém.

A church inspired by the French models, which can be seen in the fact that beeltower is on the façade, forming a façade-tower, and in the arch with round archivolts that stand on very fine columns.

A church built in 1570. Its façade faces the main square and its architectural elements. Inside, one can find the tomb of Fructuoso Pires, supposed to have been the man who invested in this construction.

On the outside, a special note to the belltower, the window of the high choir, the manuelin portico and the old coat of arms of the parish. Inside, one should note the manuelin arch-crucifix, the dome shaped high altar and the 18th century golden carving retable.