A bridge with three basket-handle arches, built between 1793 and 1795 for the passage of the Royal Road. It consists of three identical arches supported by pillars with semi-iconic cutwaters.

The museum opened in 1982 after a donation from the antique dealer Manuel Gameiro, with the City Council providing the building. It is divided into five themed rooms, allowing for an understanding of national and local history from the 18th century.

Church belonging to the Poor Clare convent, built in the 18th century. The simple and unadorned exterior contrasts with the interior space, with curved lines of walls and elevations, and completely covered in figurative Baroque tiles.

A quadrangular stone building, crowned with chamfered battlements and topped by a conical spire with 16th-century ornamentation. The walls are crowned with chamfered merlons interspersed with a bell chapel.

Within this magnificent monument, the extensive walls, the quadrangular turrets, the keep, and what remains of the barbicans are preserved, bearing witness to its defensive value. Rebuilt during the reign of King Manuel I, the armillary sphere, a Manueline-style window opening in the coastal wall, and the royal coat of arms are visible. Inside the walls, vestiges of the Chapel of Saint Michael and a Romanesque colonnade remain.

Formerly the Palace of the Counts of Cantanhede and Marquises of Marialva, this Renaissance building, dating from the 16th century, has two floors and a courtyard with a staircase. In the 20th century, a tower was added to the side facade.

This museum is the result of a partnership between the Municipality of Cantanhede and the Geração Spectrum Association, which manages the collection of João Diogo Ramos, a native of Cantanhede and one of the leading international collectors in this field. It is dedicated to the ZX Spectrum, which for many was the first personal computer, but also includes other equipment related to this theme.

The museum is housed in a typical 18th-century building, where scenes from the region's former daily life are recreated, along with some related objects.

From the convent set of Our Lady of the Conception, you have now ascended to the church, which is believed to have been rebuilt in the 18th century. Notable features include the altarpieces decorating the main altar and the side altars, the walls of the chancel covered with 18th-century tiles of Coimbra origin, and the stone images found in the choir.

Renaissance chapel that underwent the addition of a tower and sacristy. Of particular note is the altarpiece in Ançã stone, attributed to João de Rouen, surmounted by the coat of arms of the Menezes family and depicting Our Lady of Mercy.