This archaeological site consists of six schist panels, featuring hundreds of insculptural engravings, engraved using three different techniques: incision, pecking, and abrasion. The engravings depict a variety of motifs, including weapons (spears, daggers, and blades), agricultural tools (sickles), geometric designs (zigzags, lattices, circles, triangles), and podomorphic and filiform designs, dimples, and more. Some are more recent, likely executed during the Late Bronze Age and early Iron Age. It is classified as a Property of Public Interest.

It is a necropolis composed of four anthropomorphic tombs with rounded heads. These tombs are located at the base of a small hill overlooking the Águeda River.

Featuring Rococo religious architecture, the Nossa Senhora do Campo chapel boasts a 17th-century design and structure, although it underwent subsequent alterations. Inside, the main altar, paintings, and painted ceiling are notable.

A space consisting of eight shale rocks with hundreds of engravings, some overlapping. Among the various motifs depicted are human footprints (podomorphs), horseshoes, dimples, and circles. The engravings were likely obtained through the pecking technique using lithic tools.

Of the original 14th-century Canas de Santa Maria temple, only the façade remains. The National Monument classification covers only the façade, which features the portal with an ogival arch and a bell tower with two windows.

This monument is settled in a three steps platform and it has a square shaft with chamfered corners finished by a pyramidal body with a ball.

Pillory in stone with a cross at the top and six steps in stone.

Pillory in granite that is based on two steps of cylindrical shape. The shaft is cylindrical and supports a pinwheel and a cross.

Pillory in granite with three steps. It has a square stem and an armillary sphere with a cross. The three sides contain the corners and the other a tree.

Monument to overseas Fighters in marble erected in tribute to overseas Fighters. This is designed the South-West Africa and are visible citations of Fernando Pessoa.