Isolated church, reachable through the grand staircase that precedes it. In its composition is a nave, the chancel with bell tower and sacristy. It was rebuilt in the 19th century.

Temple with a 17th-century façade topped by a niche with a stone sculpture of the virgin. It has a nave and chancel. The main altar features an altarpiece in Mannerist carvings. The porch beside the church gives access to the body of services.

Temple of Romanesque origin rebuilt during the Renaissance, between 1517 and 1539. It has an interior with three naves and the chancel has a craftsmen's vault. The altarpiece on the high altar is made of stonework from the Coimbra Renaissance. The bell tower that makes up the main body of the facade stands out.

According to legend, the bridge was built by the Philippine kings, replacing an existing Roman bridge in the vicinity. It is based on 3 full arches, the central one with the largest span. It has a flat board and stonework side guards with access ramps on both sides.

Door Freestone, semi-detached, with mullion common to the two ports.

Rural, seventeenth-century bridge, designed by architect John Lezea Alzih Aosa. Has iron railings and connecting the two shores of the Ribeira de Pera.

Pillory in ball, with a square plant, in granite in four steps preceding its cylindrical column.

Popular church, consisting of nave Chapel, sacristy, the Bell Tower and chancel, whose Windows, along with those of the frontispiece illuminate the entire Chapel. The altarpiece is 18th century and inside the sink foursquare monolithic holy water. The ceiling paintings dating from the 19th century.