Built in the XVI century, it owns an austere front, accordingly to the canons of the Companhia de Jesus. Inside, on the contrary, it is decorated with carvings, painting, glazed tiles and marbles that make up an important set of the mannerist and baroque decorative arts.

Its construction was ordered by Dom Afonso Henriques, outside the Moorish walls. The temple has a limestone front with a central body and two turrets. All the inside deserves a special attention.

Built in the middle of the XX century, by Vasco Regaleira. The Almada Negreiros glass Windows are worthy of note.

The temple dating from 1911 is also named "Church of the Angels". The interior of the Church is covered with carvings and antique paintings. Among the paintings is a Board of Dayanan representing Santa Irene healing the wounds of São Sebastião.

The first church, under the invocation of the Blessed Sacrament, located near the Carmo Convent, was finished in 1685. In 1755, the earthquake destroyed this first construction and, on the second half of the XVIII century the present church is built, at the Calçada do Sacramento.

Imposing church located downtown, with a single nave and collateral chapels, high-choir and square main chapel. It has a neo-classical façade, without towers, crowned by a simple triangular fronton. Inside the décor is similar to the Mártires Church, from the same architect.

The gothic ruins of this church, built upon a hill, remind the earthquake of 1755. At the only intact space works an archaeological museum that presents a small and heterogeneous collection of sarcophagus, statues, ceramic and mosaic. Outside is the Carmo Fountain decorated with four beautiful dolphins.

Church integrated in a Lisbon suburb characteristic of the eighteenth and nineteenth centuries. It is a Baroque building with a facade of the second half of the 18th century. It has a single nave, lined with 18th-century figurative tiles, rectangular plant with coverage in painted wooden caissons.

It is one of the most magnificent monuments of Lisbon, with the huge church cupola standing out of the city roofs. The construction, dated from the late XVII century, opens a new baroque cycle with a clear Italian influence.