The temple presents a typology identical to hermitages built in Baixo Alentejo throughout the 16th century.

Built in the modern age, this small chapel has façade with a Bell and a single lateral nave. The triumphal arch support pillars have bases and capitals Manueline. Enhance the frescoes, in the side chapels of the interior of the chapel.

Are both church and convent, São Paulo de frades, Serra de Ossa. The architecture is varied with tea, Baroque and Rococo.

Temple with several architectural touches as Mannerist, Baroque and Rococo. Stands out the lavabo of the sacristy, decorated with shell motifs, cards and volutes of the Rococo period.

This temple has a Gothic and Mannerist outline, which construction remounts to the 14th century. It stands out the sixteen hundreds glazed tiles on the main chapel destined to be the pantheon for the Melos family. The inside has three naves separated by three lancet arches above the columns.

The castle of Serpa is part of the historic centre. The fortification is 230 m above sea level and is an integral part of the walled structure of Serpa, built by d. Dinis.

This church has one only nave and it is preceded by an ample porch with a mudejar top, built in 1463 by orders of the Duke of Beja (Infant D. Fernardo) for the Xabregas abbots. During the kingdom of D. Manuel it has rebuilt. It stands out the flapped vault on the porch, the main chapel, the cloister and the chapter room. Attention should also be paid to the unusual configuration from the small cloister and the glazed tiles from the 17th century.

This military fortress already existed during the Roman Period, although there are no records concerning its destruction and reconstruction. The present fortress was built under the orders of D. Dinis and was composed by a powerful Castle and by a double towered wall. There still remain some important traces from the wall and one can point out the one which is topped by a large arcade from the aqueduct that is extended until a monumental Moorish waterwheel. During the War of the Spanish Succession the walls underwent several damages. It is worth to mention the Moura and Beja Door and …

Convent that denotes the Manueline, Mannerist and Baroque architectures. Its origin is Gothic, which shows with the Church subscribed to portal alfiz and triumphal arch. Is in the decoration that shows the Baroque, especially in painting the ceiling.

Mannerist Chapel and popular. The Church draws on various characteristic elements of Mannerist tradition.