The fountain has a dolphin as its main ajutage. On both sides of the dolphin are two flowers which are also ajutages. It was repaired in 1941. The tank is semi-circular.

This building is one of the finest examples of the end of Middle Ages’ civil architecture. It is a gothic building from the XIV or XV century, characterized by two beautiful ogival doors. It is one of the biggest buildings in the area and has elements from several periods, witnessing a big historical density.

Medieval house that keeps an origin wall, although it has suffered many changes through the XVII and XIX centuries. Recent dig revealed a possible occupation of the place during the IV b. C century.

This beautiful house is placed on a street known for its characteristic architectonic harmony. Here are represented the XVII, XVIII and XIX centuries, with a nice show of the Porto’s architectonic atmosphere. On this building, the façade covered with azulejos panels from the second half of the XVII century stands out. This azulejos (tiles), made in Lisbon, describe episodes of the Holy Mary’s life.

Big battlemented house built in 1688, placed at the corner with the Outeirinho Street. This fine building, from the end of the medieval period, was an object of excellent recovery, and is, nowadays, a day-care centre for elder people.

The building at the Galeria de Paris Street was built in 1906. Its façades is Art Nouveau style covered with azulejos (tiles). The decoration in ashlar masonry and the unusual circular window that overlays the portal stand out. This circular window is dived in three parts, of glass and iron, and is at the first floor.

The hazard of this monument, dated from 1934, is due to a corporative administration’s politics. When the Portuguese administration was colonizing territories, especially those in Africa, exhibitions were made and, through them, decorative elements were created – this is an example.

Azulejos painting offered by the painter Júlio Resende to the Porto city. In this painting you can see the life, the Ribeira colours along 54m. It was open in 1987 and its name is Ribeira Negra (Dark Ribeira).

The Torre do Palácio de Terenas (Palace Tower) was built by order of Pedro de Sem, chancellor of the kingdom from 1336 to 1341. The plant has a rectangular plant and, through the times, its form altered several times.

With a great architectonical simplicity, the Almas chapel dates from the beginning of the XVIII, and was repaired and enlarged in 1801. In 1929, the façades were covered with azulejos, by Eduardo Leite, representing the life of São Francisco de Assis and of Santa Catarina. The main façade presents a glass window by the painter Amândio Silva. Inside, the panel painted by Joaquim Rafael, representing the Lord’s Ascension and the image of Nossa Senhora das Almas stand out.