From the Luís Cipriano Square, by the Coimbra Street, enter the República Square, framed by the buildings of the Town-Hall, dated from the XVIII century. The Aveiro city Arms are inscribed in the fronton, ended by a clock tower. The Aveirense Theatre (1947) and the most beautiful classical portico of the Misericórdia Church stand out. On top of a pedestal there is a representation of the great tribune José Estevão (1809 – 1862), at the oratory pose lent by the sculptor Simões de Almeida. Follow through the Combatentes da Grande Guerra (old Rua Direita), of interest for its buildings draft …

The most important worship space, dedicated to our Lady of graces, is flanked by the old cemetery of the village. The main façade has a rectangular portal, flanked by two horizontal slots, surmounted by an oculus, the stretching of the gable has a bell tower with a Bell, crowned by a cross flanked by triangular pinnacles with ball. Inside this Chapel stands the high altar in gilded and marbled wood that houses local devotions religious imaginary.

The chapel of Vilarinho da Mó, dedicated to Saint Mamede, is a granite building East\/West oriented, deployed on the highest of the village, within a walled courtyard where you will find the old cemetery. The main façade has a rectangular portal and in the elongation of the gable, a Bell Tower surmounted by a cross. Inside this Chapel stands the high altar, in gilt, which occupies the central part of the wall of the headboard, and imaginary religious houses.

Small chapel dating back to the late 15th century or early 16th century. XVI. the portal, the final Gothic, has over stone of Royal arms. The interior is of a ship with a panelled vault, in which are visible the emblems of d. Leonor (shrimp) and d. João II (Pelican). We highlight the triumphal arch down, beveled edges and the chancel is covered by a panelled vault, with bocetes and, again, with the Royal Arms and the shrimp.

Produtora de Vinho Alvarinho e de Vinho Verde. Neste local é possível fazer uma prova de vinhos e comprá-los. Também são feitas visitas à casa. Os seus principais produtos são o Portal do Fidalgo e o Vinha Antiga (Vinho Alvarinho) e o Varanda do Conde (Vinho Verde Branco).

Architectural set, religious, military and civilian, situated right in the Centre of the village, dominated by Baroque forms. In this civic space, which combine medieval and modern elements, should highlight the Arch of the 14th century, which belonged to the portal in the remnants of the castle of Pesqueira. Stresses also the importance of structures like the clock tower of the old town hall, as well as the chapel of mercy, belonging to the former solar dos Távoras.

A revivalist palace with an iregular plan, where one should notice the façades, totally coated with stonework, the main portal which gives access to the atrium with friezes and stucco medallions, some involving mural paintings, and the main hall with two paintings on the ceiling surrounded by stucco oval fringes. One should also notice the the rooms decorated by painted vegetalist friezes, festoons, landscape painted medallions and angels.

Built in the 14th and 15th centuries, it is one of the most striking examples of mendicant Gothic architecture in Santarém. The façade is worth admiring, particularly the rose window and the flamboyant portal, while the interior has three naves with pointed arches and two wings of columns with capitals ornamented with vegetal and anthropomorphic motifs. This national monument was once a convent of Augustinian friars and houses important tombs such as that of Pedro Álvares Cabral, the discoverer of Brazil.

Manueline, Mannerist and Baroque Temple. Stands out the Mannerist portal adorned with filacteras and Windings. In this space is installed the Museum of sacred art. Taking advantage of the body of the Church, the sacristy and two annexes of the late 19th century. XX, boasts an important collection of imaginary and a liturgical set of 15th-18TH CENTURY, from different churches in the municipality of Mértola. Although transformed into museum space remains linked to the cult.

This church, with its 16th-century features, has a segmental arched porch at the entrance supported by two columns. Inside, the remarkable vaulted ceiling of the nave, with its crossed ribs, and the 18th-century tile panels that adorn two of the side chapels stand out. From the original 11th-century monastery, a magnificent Romanesque portal with two archivolts remains, resting on four small columns with historiated capitals.