The church was built in the 15th century and underwent significant alterations later. The façade features a portico with fluted columns and a triangular pediment. The interior is lined with 18th-century tiles depicting scenes from the life of the Virgin. The chancel is Manueline, and the portals are Renaissance.

Baroque chapel, dating from the 16TH century, consisting of a single nave, a chancel and a vestry rectangle. It is torn by a portal in arch, framed by Doric pilasters supporting a Doric entablature. In the interior, highlighted by an 18th-century painting from Dalton Bustamane.

This is a building with an irregular composed drawing, built around a yard, integrated at the Moor wall. The XVII century portal and the coat of arms of the Figueiredo family are worthy of notice. Inside are the large salons that contrast with small divisions, corridors, landings and spiral stairs.

A neiclassic place, with a rectangular plan, two floors and a long straight façade. One should notice the forged iron adornations in the balconies of the main floor, the frames of the stonework on the main floor with architraves with a triangular gable and the axis marked by a monumental portal.

The uniqueness of this temple comes from the monumental height of the nave, with its slightly oval plan and walls, contrasting with the low, rectangular forms of the vestibule and chancel. The portal, topped by windows, is framed and sculpted. The gilded altarpieces and stucco work are particularly noteworthy.

16th century religious monument composed of a nave, high choir, chancel, sacristy and a room used as a doctor's office. The mortuary chapel serves as an infirmary and has an autopsy room. Also, noteworthy are the Mannerist portal and the vegetal motifs in the main chapel.

Located at the historic centre of the city it was built over the portico that supported the ancient Roman Forum. The walls’ doors, part of the cloister and the ruins of the former church are from the XII century. At the Museum’s front are placed the portals of the extinct Santa Ana Church

19th century building with a simple rectangular plan, with two floors and a main façade with a central portal. It has a chapel attached to the rear facade, connected to the house from the inside. Highlight for the decoration of the main facade, with windows flanked by plant pendants.

Artist's House was once the home of largest souto da Vila de GOIs. The ancient Mayan farm solar was deep object recovery works and transformed into a modern Auditorium. The shops at the ground floor give the space art galleries today. Already the top-floor rooms, serve as temporary residence of artists. The attic was adapted and works as artistic atelier.

Located in the Bastion of Nossa Senhora das Brotas, onde war material was manufactured and repaired here. It also functioned as a barracks and, during the 19th century, it was ruined. Today it still retains many traces of its originality: a circular wall, the crown with the royal arms on the front and the part of the mangers. Here you can have classes and even hippotherapy sessions.