Church built in 1714, under a primitive church dating from 1480. Inside, highlights include the gilded carvings in the main chapel and a bookcase with ivory inlays, the work of a friar from São Francisco da Horta.

Conventual church dated from the XVII century, with harmonious façade, single nave and rectangular main chapel. In 1994 repairing and adaptation works were carried out turning the former conventual rooms into tourism lodgings.

This is an 18th century building which was restored during the Joanine period. It is worthy to mention the stonework finely elaborated on the door, pediment, windows, towers and niche. On the main chapel the altar is dedicated to Our Lady of Consolação (Consolation).

Baroque church dating from the 18TH century, consisting of a single cloth façade with a Bell Tower located near and, inside, a ship with wooden ceiling and a vaulted chancel. The images in the side altars in the main altar and the sacristy.

Baroque church with a single nave interior, to present the main facade topped by a gable truncated by a belfry. The portal features an inscription with the date of 1768. In the interior, especially the side altar in gilt with pseudossalomónicas columns, for the font and the pulpit.

Located in the cemetery, this building consists of a nave, a chancel and a vestry, presents, on the facade, carved figures in relief. Its architecture features Romanesque, Baroque and Mannerist characteristics. Inside, the main altarpiece of carved and gilded national style.

Late-Renaissance and Baroque church, of longitudinal plant and with a nave, a chancel, two sacristies, a high choir and a Bell Tower. In the interior, especially the altarpieces, being collateral dated from the 16th century and the 17TH century main.

Built in 1761, the classification of National Monument only includes the main portal, Manueline, from the Conceição dos Freires Church. Inside are worthy of notice the P. Alexandrino paintings and the images attributed to Machado de Castro.

Baroque church of nave and main facade with two arches arch portal. Interior with wooden ceilings, chorus-alto, pulpit in the Gospel and two side chapels with altarpieces in Mannerist and Baroque, gilded, and major neoclassical reredos.

Building constructed in the 20th century, consisting of a rectangular plan with two floors and with homogeneous coverage in gabled roofs. Features a main facade of three cloths, with the inscription "Montepio Abrantino Soares Mendes and Mutual Aid Association".