Roman bridge consisting of a single arch.

Church with 19th century and neoclassical architecture. It has a nave and chancel. It has an interior with a high choir, a pulpit on the Gospel side, two side altarpieces and two side chapels with altarpieces, and a main altarpiece, all neoclassical, with polychrome carvings.

On the facade there is an oculus flanked by two coat of arms. The interior has a single nave with a wooden ceiling. Highlights include the 18th century paintings in the main chapel, the carvings of the main altar and the two side altars, from the same period, two oil paintings on wood, a chalice monstrance dated 1690 and an 18th century chalice.

Temple built in granite stonework and surrounded by a series of crosses, also in granite. The front is torn by a round arched portal. A bell tower with two windows, topped by a Maltese Cross, completes the façade.

In Carrazedo de Montenegro, chestnut cultivation and production are part of the local culture. The museum is responsible for putting the art of this cultivation at the visitors service.

Bridge over the Cávado river with a length of 150 meters. It dates from the 14th century and stands out for the irregular dimensions and shapes of the various buttress arches that make it up.

Sanctuary composed of via cross chapels, support buildings for pilgrims, fountains, cross and church. The Sanctuary of Nossa Senhora da Abadia already has a long tradition, being considered by many to be the oldest Marian Sanctuary in Portugal, dating back to the 7th and 8th centuries. Surrounding it is a stunning nature.

Baroque Benedictine monastery renovated in the 16th and 18th centuries. It has a church, rebuilt in the 18th century, with a symmetrical facade and two bell towers. The barrel-vaulted roof and the gilded altarpiece are worth highlighting. Also, worth mentioning, although it is in ruins, is the cloister area, made up of nine-bay galleries, with Tuscan granite columns, a decorative fountain in the center made of carved stone and several flowerbeds.

Although the conventual part is in ruins, the church, rebuilt in the 18th century, presents a harmonious façade dominated by five sculptures representing the four evangelists and Saint Louis. Inside, the gilded altarpiece and the Joanine sacristy stand out with paneled and painted ceilings, and walls covered in historic tiles. The cloister is made up of seven sections of arcades with Tuscan columns. It is currently adapted as a guesthouse.

Museum dedicated to religious ethnography and which includes a collection of offerings and ex-votos resulting from the fulfillment of promises. Sacred art, statuary, implements, documentation and religious manifestations, as well as ethnographic, folklore and craft elements are part of its collection.