Space with a vast documentary collection.

In this space there are several instruments attached to the various activities of the rural world, such as the olive harvest, through the production of cheese and cured meat, wool, by mowing, among others.

The Arraiolos Carpet Interpretive Center is a museum with the mission of promoting the study and dissemination of the Arraiolos Carpet, as well as its conservation, appreciation and recognition as a historical, artistic and ethnographic heritage.

Baroque church architecture typically chã, founded in 1524. Underwent refurbishing in 1534 and then in the early 17th century. Emphasis on the tile covered with oil paintings that cover the ship and the baptismal Chapel.

16TH century construction characterized by architectural styles and decorative overlay, with a predominance of the Manueline-mudéjar Church and 17th century Baroque convent. Was founded by the order of Saint-Eloi and dedicated to our Lady of the assumption.

This Manueline church was founded in 1557 and reformed in 1768. It is composed by a rectangular plan and ogival vault with transversal structuring axis. On the outside it stands out the portico with triangular pediment.

Romanesque-Gothic Castle built in the early 14th century, formed by two fortified sets. The fence is square and is defended by a turret and with two entries, the Santarém port and the port of the village. The Palace of the mayors, in conjunction with the wall of the fence on the northern façade was redesigned in 1480. The clock tower has moth manuelina. In the middle of the walled enclosure is the ancient parish church, a 16th century building quite damaged.

A historic centre that was requalified and remodelled, with several shops that sell the famed Arroiolos tapestries. A pleasant pedestrian space with typical houses of the Alentejo region and traditional commerce.

This temple was constructed in 1512 and it underwent several reforms during the 18th century. The original mannerist outline is lively by the baroque combination on the façade from the 18th century and by the adding of some revivalist details from the following century. It also stands out the holly water font in Manueline style.

Church composed by rectangular nave and several dependencies, including the Dispatch room. The main facade is gabled and angular corners finished with pinnacles, is torn by portal surmounted by window balaustrado with pediment stopped to receive the national shield. Inside the nave and chancel are covered by the same high wooden ceiling in three planes, with the Johannine shield painted.