Frontage divided into three spans, on each of which opens a simple portico with a squared frame carried by a simple pediment with a triangular cornice. Over each portico, there is a large rectangular window with a deep beveled frame. The façade is divided by pilasters and the building is flanked by a solid square tower. It has three naves and five spans of round arcades on Doric columns. Inside the church, the coating with polychrome tiles stands out.

The Monument to the Stolen Lord, dating from 1744, consists of an enclosure in the shape of an isosceles trapezoid, featuring a pulpit that gives it the dimension of a place of divine worship, and a wall entirely covered with monochromatic tiles, serving as a kind of altar. Its construction was due to a robbery carried out in the church of Odivelas in 1671 by a young man who was later condemned in this place, which then became a space where the faithful asked forgiveness for their sins.

Manueline, Mannerist and Baroque Temple. Stands out the Mannerist portal adorned with filacteras and Windings. In this space is installed the Museum of sacred art. Taking advantage of the body of the Church, the sacristy and two annexes of the late 19th century. XX, boasts an important collection of imaginary and a liturgical set of 15th-18TH CENTURY, from different churches in the municipality of Mértola. Although transformed into museum space remains linked to the cult.

Archaeological excavations carried out from 1997 onwards revealed the existence of a large Roman Villa with compartments paved in geometric mosaics. What is there is the equivalent of what is now called the Quinta. It was occupied until the middle of the 5th century, as the evidence on a brick found in the place where the sign of Solomon is engraved, shows. It is possible to find the houses of the slaves who worked in the fields and the communication routes so typical of the Romans.

This church, with its 16th-century features, has a segmental arched porch at the entrance supported by two columns. Inside, the remarkable vaulted ceiling of the nave, with its crossed ribs, and the 18th-century tile panels that adorn two of the side chapels stand out. From the original 11th-century monastery, a magnificent Romanesque portal with two archivolts remains, resting on four small columns with historiated capitals.

The Ul River Urban Park, a green space covering an area equivalent to 30 football fields, is a modern and functional place for walks and leisure. Located in the city center, it was designed by architect Sidónio Pardal and is characterized by its surrounding granite walls and a wooded interior that winds along the Ul River. It is a spacious area that invites long walks or family outings amidst the coolness of the river and the weirs that were built there.

Monolith carved in granite representing the figure of a warrior, (2nd century iron age. I ad) erect and in stop position. Was found, along with other similar copy, probably in the 19th century. 18TH CENTURY (and was later, in the 20th century, found two more mindless statues) in great Castro do Lesenho, (at an elevation of 1075 meters) in Fields, parish of s. Salvador de Viveiro. This Warrior is wearing sagum (out exuberantly decorated with geometric motifs of concentric circles chained and plaids), v-neck and short sleeves, girded by a belt with four parallel veins. The head is proportionate, displaying …

A walk along the parish of Moita dos Ferreiros where you can visit the Shrine devoted to Our Lady of Misericórdia (Mercy) and the five typical mills that have been recovered and transformed into cafes and bars, open daily from 2 pm to 6 pm.

This is a nice Cocktail Bar, situated in Portugal in the nice village of Armação de Pêra, Algarve. Here, you can enjoy nice Cocktails, a Beer, a Caipirinha, a Mojito or many other drinks that you would like to try, accompanied by good music and nice people.

Museum located in a 15th-century building, the oldest of the historic centre of Viana do Castelo. Here you can visit the archaeological remains of Viana, from prehistory to the century XII\/XIII. In addition to the several parts exposed, there is also a virtual zone, with multimedia resources.