This is a 16th century church made out of simple stones with a bell tower. Surrounding the church there are 12 Calvaries with 2 metres high. The plan is longitudinal and is composed by one only nave, main chapel and lateral chapel, sacristy and access hall and stairs giving access to the choir.

The church with one single nave, presents a front with 3 arches, three lateral chapels, main-chapel and high-choir over the atrium. Worthy of notice are the staircase of the collegial building and its glazed tiles, the XVIII century cloister and the golden woodcarving retable of the Sacramento chapel.

Baroque-style manor house, built in the 18th century. It has a longitudinal plan and a hipped roof. The facade is characterized by the rhythm of the windows and doors, with triangular pediments and wrought iron. On the left side of the building is the chapel. In the various rooms on the main floor there are traces of paintings with bucolic scenes.

A Baroque building with two-story facades, composed of two sections, one dating from the 18th century and the other from the 19th century. The main facade is punctuated by bay windows and crowned by a backrest carved with a coat of arms. The side facades and the interior have been renovated.

This seventeen hundreds temple presents a baroque façade sided by two bell ringer towers. The historian glazed tiles panels stand out and they are placed in the church nave and main chapel. It was reconstructed in 1790 by initiative of Bishop D. Jerónimo Rogado de Carvalhal e Silva.

Baroque church dating from the 16TH century, the present a longitudinal composite plant and a single nave with main façade in truncated Gable for a double Bell. In the interior, highlighted by a panel of 16th century frescoes, for an altarpiece in Baroque gilded side and for a major altarpiece carved white and polychrome.

Church that results form the cinquentist reform, presenting a manueline main door. Inside are worthy of notice the renassaint retable, and important tumular art set from the XV and XVI centuries, the Magi chapel, the sacristy, the chapter’s house, the cloister and the cellars of the former São Marcos convent.

Church founded in 1664 by Dom Alfonso VI, was completed in 1684 according the project of Jácome Mendes. Features three portals with "Renaissance reminiscences", being the main crowned by the Braganzas shield and the sides, with allusive to the restoration War legend. Highlighting the marbles inlaid, painted ceilings and gilt.

Parish Church, nave only, long and narrow as is characteristic of the popular building churches built during the middle ages. Inside, beyond the plastic quality of the altarpieces and the main altar of the chapel of the Senhora do Rosário, emphasis on the preservation of spaces with medieval marks. Outside the popular taste.

Religious architecture consisting of nave, chancel, vestry and Bell Tower. The facade consists of a 16th century portal, by the window of the choir and double bell tower. Inside: the 18th century spires that sustain the corners and the altarpiece of the main Chapel, Baroque carved johannite, painted white and gold.