This is a Romanic temple in which it is possible to notice two construction phases: one is pre- romanic and the other is from the second half of the 18th century. On this last phase it was added the tower, the main chapel and the façade was remodelled. It is worth to mention the baptismal font in Romanic style due to its decoration.

Religious architecture consisting of: nave, chancel and vestry. The main façade, of simple traits, is white-washed, has granite trim and a circular window. Inside the ship liners and the chancel; the first, painted with busts of Saints and the seconds with flowers, the Sun and the moon. Altarpiece-mor in gilt national style.

This former monastery for the Clarisse sis composed by a longitudinal plan with one only nave, a narrower main chapel and a square bell ringer tower, a lateral chapel and an attached sacristy. It was built on the 16th century with several improvements and additions presenting some features from the mannerist and baroque architecture.

Temple that demonstrates various mannerist, baroque and rococo details. As an example, the portal-reredos on the front stands out, which dates back to the early Baroque era. In the Rococo style, the carved altarpieces of the second chapel on the Gospel side, the chapel on the Epistle side and the main chapel stand out.

Nave church with a Baroque feature, façade of the late 19th century, and a Gothic portal. Inside, also include the gothic vaults decorated with starry warheads, the chapels for coffin and the 16th century Baroque carved the main altar. Stands out for its combination of Gothic, manueline and Baroque elements.

Temple built in the second half of the 18th century, has a Baroque façade, with two bell towers to skirt around the central body. The portico is crowned by the Royal coat of arms. To emphasize the altars of gilt and the altarpiece of the main Chapel, in Rococo style, and even the two retables ship's double.

This is a Romanic rural church but it has the doors and main chapel window already in Gothic style. It was founded in 1152 by Queen D. Mafalda. From the Romanic period it only maintains traces, namely the corbels and the portico with columns and decorated capitals. It possesses a rectangular tower and crowned by pyramidal merlons.

A Gothic temple whose decorative design extends beyond the church's structure. The main façade features a portal topped by a rose window. The three-nave interior features eight arches supported by columns with capitals decorated with phytomorphic motifs. A highlight is the Gothic-style holy water font.

This church was reformed on the 12th century maintain the main chapel, the sacristy and flying buttress from the 16th century. On the inside stands out the two lateral altars in polychrome carving from the end of the 18th century and the tunnel vault apse in masonry covered with blue and white glazed tiles.

A single-nave temple rebuilt in 1595 and renovated after the 1755 earthquake. Highlights include the blue and white checkered tiles, the 17th-century baptismal font (from the Várzea Church), the gilded carvings, the ceiling paintings with polychrome borders, the tombstones and ancient sculptures, and the paintings on the main altar.