Frontage divided into three spans, on each of which opens a simple portico with a squared frame carried by a simple pediment with a triangular cornice. Over each portico, there is a large rectangular window with a deep beveled frame. The façade is divided by pilasters and the building is flanked by a solid square tower. It has three naves and five spans of round arcades on Doric columns. Inside the church, the coating with polychrome tiles stands out.

The Monument to the Stolen Lord, dating from 1744, consists of an enclosure in the shape of an isosceles trapezoid, featuring a pulpit that gives it the dimension of a place of divine worship, and a wall entirely covered with monochromatic tiles, serving as a kind of altar. Its construction was due to a robbery carried out in the church of Odivelas in 1671 by a young man who was later condemned in this place, which then became a space where the faithful asked forgiveness for their sins.

Manueline, Mannerist and Baroque Temple. Stands out the Mannerist portal adorned with filacteras and Windings. In this space is installed the Museum of sacred art. Taking advantage of the body of the Church, the sacristy and two annexes of the late 19th century. XX, boasts an important collection of imaginary and a liturgical set of 15th-18TH CENTURY, from different churches in the municipality of Mértola. Although transformed into museum space remains linked to the cult.

Archaeological excavations carried out from 1997 onwards revealed the existence of a large Roman Villa with compartments paved in geometric mosaics. What is there is the equivalent of what is now called the Quinta. It was occupied until the middle of the 5th century, as the evidence on a brick found in the place where the sign of Solomon is engraved, shows. It is possible to find the houses of the slaves who worked in the fields and the communication routes so typical of the Romans.

This church, with its 16th-century features, has a segmental arched porch at the entrance supported by two columns. Inside, the remarkable vaulted ceiling of the nave, with its crossed ribs, and the 18th-century tile panels that adorn two of the side chapels stand out. From the original 11th-century monastery, a magnificent Romanesque portal with two archivolts remains, resting on four small columns with historiated capitals.

The Ul River Urban Park, a green space covering an area equivalent to 30 football fields, is a modern and functional place for walks and leisure. Located in the city center, it was designed by architect Sidónio Pardal and is characterized by its surrounding granite walls and a wooded interior that winds along the Ul River. It is a spacious area that invites long walks or family outings amidst the coolness of the river and the weirs that were built there.

As the name suggests, Arcos de Valdevez is located in the Vez river valley. Beyond the riverside area, bordered by Campo do Trasladário, one can wander through its typical narrow streets of the Minho region and appreciate the monumental architecture and beauty of the town.

It takes place from August 17 to August 23. It is also a cattle and horse fair. The fair also features regional, craftswork products. One of its most traditional events is the Tourada da Vara Larga (a bullfight), an old custom of the Ovil parish.

Its goal is to recognize and value the natural and cultural heritage of this region, as well as to protect its identity. Here you'll find a permanent exhibition that will allow you to explore Serra da Estrela and its countless potential, linked to its heritage, fauna, and flora.

Located in the castle of Alcácer do Sal, the Pousada Dom Afonso II provides a refined stay in a historic atmosphere. With 35 rooms and several services available, it offers delicious regional meals in its restaurant and rather lovely views of the Sado River and of the valley.