Church at the Colégio dos Jesuítas (Jesuit College), which is now the Madeira and Católica Universities. It is a mannerist building from the XVII century, with various paintings from the XVII and XVIII centuries inside. The beautiful altar at the chapel of the Eleven Thousand Virgins and the glazed tiles at the vestry walls are worthy of notice.

Calvary in granite, preceeded by a flight of stairs. At the top you can see the Latin cross.

Mannerist Chapel and popular. The Church draws on various characteristic elements of Mannerist tradition.

This is a Romanic temple that used to belong to the first convent of Cluny in Portugal and it suffered several transformations on the XVII and XVIII century. From this granite construction it is worth to mention the sculptures adorning the multiple capitals and two granite sculptures from the XII century. IT should be mentioned that this church had origins in a chapel with small dimensions dated from the Reconquest period.

This church is dated from the 18th century and it possesses a pentagonal plan and a portico topped by a big window that is inserted in the baroque period. On the inside it displays images from Maria six pains and a seventh figure is placed close to the altar.

Temple built in the second half of the 18th century, has a Baroque façade, with two bell towers to skirt around the central body. The portico is crowned by the Royal coat of arms. To emphasize the altars of gilt and the altarpiece of the main Chapel, in Rococo style, and even the two retables ship's double.

Fortress with a polygonal plan and four bastions. It has sloping and robust curtains. The well-vaulted, flanked gate, crowned by the royal shield and bell tower, faces the village. It was built during the reigns of Dom Pedro II and Dom João V, in the 18th century, in order to defend the coastal area from pirate attacks.

Building dating from the 18th century, the present main ground floor facade arches of Ashlar and, upstairs, tile flooring in the 19th century. At the top, are the Royal Arms and the middle of the building, rises the clock tower. This construction marks the urban reform held by the Corregidor and purveyor of the District of Porto, Francisco de Almada e Mendonça.