The building at the Galeria de Paris Street was built in 1906. Its façades is Art Nouveau style covered with azulejos (tiles). The decoration in ashlar masonry and the unusual circular window that overlays the portal stand out. This circular window is dived in three parts, of glass and iron, and is at the first floor.

Chapel that occupies the ground floor of a three storeys building from the Marquês de Pombal period. On the façade there’s a portal cased with ornamental ashlar masonry and tympanum, formed by three doors. Inside, the single nave is covered with white and blue glazed tiles representing the life of the Holly Mary.

Dedicated to Saint John the Evangelist, it was built in 1532 by patron Cosmo Bernardes de Macedo, owner of Quinta de Mortim Afonso and nobleman of the Casa Real. It features an arch and a Manueline-style portal. In the 18th century it underwent some renovations and in the 19th century it underwent improvements to the roof.

Temple that demonstrates various mannerist, baroque and rococo details. As an example, the portal-reredos on the front stands out, which dates back to the early Baroque era. In the Rococo style, the carved altarpieces of the second chapel on the Gospel side, the chapel on the Epistle side and the main chapel stand out.

Nave church with a Baroque feature, façade of the late 19th century, and a Gothic portal. Inside, also include the gothic vaults decorated with starry warheads, the chapels for coffin and the 16th century Baroque carved the main altar. Stands out for its combination of Gothic, manueline and Baroque elements.

A Gothic temple whose decorative design extends beyond the church's structure. The main façade features a portal topped by a rose window. The three-nave interior features eight arches supported by columns with capitals decorated with phytomorphic motifs. A highlight is the Gothic-style holy water font.

Neoclassical Church of longitudinal plant, consisting of a nave, a chancel lower and narrow and a Tower located near. The lateral façades are torn by vain symmetrical and the main façade presents pilasters defining three cloths and is torn by a round arch portal. In the interior, highlighted by two pulpits and the main altarpiece.

This church, built between the 17th and 19th centuries, features Baroque characteristics but with some Neoclassical touches. The main facade is divided into three wall sections separated by Tuscan pilasters, and also features a segmental arch portal with a double carved molding. Inside, the decoration, in plaster and painting, is noteworthy.

A building of the 16th century, reformed in the 18th century, that has a façade with two floors. The manuelin influences are notorious in three of the portals. In the centre of the façade thre is the coat of arms of the Abreu Lima that replaced the one of the Távoras, destroyed during the time when the Marquês de Pombal was prime minister.

A 15th-century building designed by Pedro Esteves, auditor of the House of Braganza. It consists of a central volume and two rectangular towers. It has an extensive façade, flanked by two towers and with pointed, twin, and rectangular windows. The portal, the twin openings, and the shutters on the ground floor indicate a medieval character.