It has a longed rectangular plan with the transept drawing the Latin cross. From the behead it only remains the polygonal apse chapel on the south band. The frontage it is divided into two stakes and it is topped by a triangular pediment with undulating cornice on the flanks. The architrave stands out; it is divided by three large pilasters, with rectangular windows in the triangular cornice on the top. The inside nave presents five ranks and it is separated from the gallery by solid stone parements torn by high arches with two archivolts. It stands out on the gallery …

17th century Church, rural type alentejano, consisting of nave and chancel. Whitewashed exterior facade in blue with blue trim. Door surmounted by both window framed with white marble. Inside, the highlight goes to the main altarpiece in marble, late-Baroque style.

Necropolis with a set of seven graves dug into the rock, located near the village of Rosario.

Located on top of a hill, this castle was the defense line of the Guadiana. Consists of a walled enclosure, with cubelos, keep and two doors, one of which is flanked by towers. The documentary version assigns this work factory to d. João I, who joined the village in the Patronage of the order of Aviz. Was very damaged with the Castilian wars and with the earthquake of 1755.

With an important medieval castle donjon. This fortification worth mentioning the door flanked by towers and a horseshoe arch, marble in the region. In the tower and chain on the door Cool there are remains of Moorish architecture and Gothic commemorative tombstones of the work. Situated on a site overlooking the town, this may be seen a beautiful landscape of the region.

Small fountain built in marble, with two steps, a cubic tank and one spout.

Church architecture typically Mannerist chã, whose overall structure dates back to the end of the 16th century. Emphasis on ceramic panels in side vestments dating from the 18th century.

Mannerist and Baroque church, consisting of a longitudinal plan with nave, chancel more sacristies and narrow adossadas, interior covered in fake wooden barrel-vaults. Inside, the Baroque carved altarpieces, national style.