The garden belongs to a 19th century farm, where the nobility used to gather, the royal family included. The set includes the building, the grotto, the tank, the pigeon houses and the garden that stands out for its busts and for the tiles.

Considered one of the best sports to view th Tagus river. One views Alfama, the dome of the Church of Saint Engrácia and the Church of Saint Estêvão. A couple of tile panels on the south wall stand out.

Set of five houses built in the 16th century, that stand out by their vain Manueline. One of the houses has a window counter with Classicist ornaments, while another of the houses presents a Renaissance niche with a devotional image.

This castle was founded at the time of Dom Dinis, by the Templars, around 1290, and is currently in ruins. It has an irregular plan and has a bell and keep. Two doors stand out, one of them flanked by two towers.

Nineteenth century civil architecture. Stands out in the urban fabric by vertical lines and cared for. Building of four floors, with three porticoed rectilinear on the ground floor. Various interior compartments with access by internal staircase.

Building from the XVIII century that suffered changes during the XIX century, where a Manueline window from the beginning of the XVI century stands out. Tourist classification: masonry work classified as Municipal Interest

Rectangular house with two and three floors, with outbuildings attached to the rear facade. On the facade, a stone of arms stands out. It was probably built in the 18th century and then remodeled in the 20th century, having been transformed into a restaurant.

This Chapel, dating from the 18TH century was, presumably, rebuilt in the 19th century. On the main facade stands out the plinth, with a Latin cross high and round arch portal with stonework frame. Inside, the altar in gilt.

Simple space, with live Brazilian music and a resident band. The caipirinhas (sugar cane drink) stand out. Open from 22h to 2:30, Monday to Thursdau; 22h to 3:30 on Fridat and Saturday.

This museum has a vast collection of contemporary Portuguese art from the 1960s to the present, having as its initial core the collection of the Prize for Plastic Arts of Funchal, an initiative carried out in the years 1966 and 1967.