Romanesque-Gothic building dating from the 13th century. It features gargoyles on the side facades and an ogival portal on the front, surmounted by a rose window. The interior has a single nave, with the chancel covered by a coffered vault formed by three Gothic arches. The chapel's side columns have sculpted capitals with zoomorphic, anthropomorphic, and phytomorphic decorations.

The fort is in ruins, with the main entrance and one of the bastion walls remaining. The main façade is preceded by a moat, with a portcullis opening in the center. Inside, remains of quadrangular, vaulted buildings topped by terraces are visible.

Built in the 16th century, it underwent reconstruction in the 17th and 18th centuries. The main door displays the coat of arms of Dom João II. Inside, there is a former Convent of the Jerónimos Friars, founded in the 16th century, and a chapel built over the site where, according to tradition, Saint Vincent was buried.

The original building was virtually destroyed by the corsair Francis Drake. Rebuilt in the 17th century, it was again damaged by the 1755 earthquake. This fortress consists of the ruins of several sections of 17th-century walls. Inside, there are some restored military structures that retain their original architectural design, as well as the Chapel of Santa Catarina, built by Infante D. Henrique.

A tour that explores sites that make up the megalithic core of Vila do Bispo. The megalithic phenomenon extends, roughly, between the Neolithic and Chalcolithic periods (5500–3500 BC).

Currently undergoing renovation, this church retains a geometric stucco coffered ceiling and retains its eighteenth-century shutters, cushioned and pleated in tin. It was the only convent of nuns of the Order of St. Jerome in Portugal.

Here you can take a journey through the history of rural life in the past: agriculture, pastoralism, sewing, etc.

An 18th-century mansion. It was the seat of the former estate established by Martim Afonso de Melo, Bishop of Guarda.

Also known as Anta do Zambujeiro, it served as a place of worship for the dead during the Neolithic period. It preserves the corridor, burial chamber, and roof slab, although listed.

The Alcáçovas rattles are of ancient origin, handmade using a complex technique to produce sound, which depends on the thickness of the sheet and the amount of metal used. Each one has a design representing the artisan's mark (known as a coat of arms). They are worn around the necks of certain animals – such as cows or sheep – to guide others while they graze.