Santo António de Lisboa, or Fernando de Bulhão was born around 1200, in a small house next to the Cathedral. Its most important statue was raised at the Alvalade quarter.

This fountain, one of the oldest in Viseu, has two spouts, both of them dry, one of which covered by wood. One of the fountains, the one that stands on the span of the gothic arch, is medieval, dates back to the 16th century and was commanded by a princess of Castille who was the wife of Dom Manuel I. The other fountain, under the 1600s small temple, was built later. There is also a small granite square by it and benches.

Fountain dating from 1828.

This church began to be built in the 18th century, however, its façade was never completed due to the expulsion of the Jesuits. All the details are the Baroque high altar, the triumphal arch and lateral altarpieces.

Dated from the 1647 it is an André Soares oeuvre. This is a vast construction with one only nave and main chapel both filled in golden carving. The bell ringer tower was constructed between 1724 and 1727 by Master Domingos Matias and afterwards the main chapel was extended in 1746. It stands out the main altarpiece from the main chapel because it is a fine example from the late Mannerist phase, not only due to its conception, but also due to its decoration.

White church with stone door-posts at the doors and windows. It has two lateral bells. It has a beautiful baroque front.

Church next to the Hospital Espírito Santo, with single construction.

This church is typical from the regional plain architecture and it is composes by a rectangular plan with two – sided roof. IT was built in 1560 and it underwent several improvements on the 18th century.

Built in the middle of the XX century, by Vasco Regaleira. The Almada Negreiros glass Windows are worthy of note.