A stone image that pictures Saint Iria.

Empire dating from 1846, where every year the great festivities of Divino Espírito Santo Azores.

Area of outstanding natural beauty, whose point of interest is the associative game reserve and the stork nests.

This church has a simple façade with a blue top, very typical from this region, with some steps preceding the entrance. It used to serve the farmers working in the surrounding estates and it is known as the destiny for the Sunday’s services for this region citizens during the 19th century. The inside is totally covered with wall paintings besides the 17th century paintings. During the Easter it receives pilgrimages.

The Chiesa Madre (mother church) of Selmes has harmonic facade. In the year 1755 the church building suffered various damages, including the frontispiece and vault of the choir, caused by the earthquake of November 1.

Built in the 13th century at the behest of King Afonso III, it is one of the largest and most emblematic monuments of mendicant Gothic architecture in Santarém. During the 17th century, it underwent several renovations that modified its form. Currently, the eight rows of tall Gothic columns adorned with frescoes and carved capitals stand out, with lighting provided by a rose window and several windows and slits. Inside, the Gothic tomb of the founding king's illegitimate daughter is a prominent feature.

On this temple it stands out the Manueline doorway and the inside has many details from the construction period.

Church with sui generis plant, since it was never completed. Has only a single body willing scored crosswise, to close its interior.

This temple was built in the middle of the 13th century and it was influenced by the introduction of the Gothic style in the town. On the 16th and 17th century it was adapted to new artistic tastes and it underwent some transformations: it received a sculpted pulpit in stone and the walls were covered in glazed tiles. On the 18th century it was added a doorway and a tower in baroque style. It stands out the worked capitals, the main chapel vault and the 17th century glazed tiles.

Baroque chapel, dating from the 16TH century, consisting of a single nave, a chancel and a vestry rectangle. It is torn by a portal in arch, framed by Doric pilasters supporting a Doric entablature. In the interior, highlighted by an 18th-century painting from Dalton Bustamane.