Baroque church with a longitudinal plan consisting of a single nave, a rectangular chancel and a side chapel and an attached sacristy. Highlights, on the outside, are the side bell towers and the portal and, inside, the baroque gilded altars and the 19th century panel on the main altar.

This one of the few monuments from the XVII century (in the central area of Lisbon) that was not destroyed by the earthquake. The portal at the main façade is headed with a niche where is the image of São Cristóvão. Inside, the walls are covered with paintings cased with gold wood carving.

Characteristic temple from the end of the XVIII century, covered with azulejos (tiles) on the exterior. The front is sided by two strong bell towers and ended by a high curved fronton. Inside, the carvings, the paintings, the sculptures and the main altar stand out.

Built in 1912 by the merchant Manuel de Jesus Belmarço, it is a revivalist palace, with a rectangular plan and two floors, with bourgeois characteristics. One should notice the volumetrics of the corner turret, the stonework coat of the main façade and the diversity of the spans frames.

Church with 19th and 20th century architecture with nave, chancel and sacristy. It has a high choir inside and holy water fonts. The main altarpiece is carved with a background painted in white and light blue with gold decoration, marking the rococo structure.

Parish church with 16th century, baroque and neo-baroque architecture. It has a single nave and chancel, wooden and stucco ceilings, with an attached sacristy. Inside it has a high choir, a pulpit on the Gospel side, a main altarpiece and two collaterals.

Baroque church built in 1716, with a longitudinal plan consists of a nave, a rectangular chancel and a vestry located near. Presents a sober exterior, with a frontispiece in gable truncated by two arches. Highlighting the gilded triumphal arch and the main altarpiece neoclassical.

Its construction has probable pointing to the year 1618. It consists of nave with wooden roof, chancel with coffered Dome, sacristy and dependencies. The main altarpiece has Mannerist characteristics. Highlights for the murals of the interior simulating 18th century altarpieces.

Built on the second half of the XVIII century, it was made in honour of Nossa Senhora do Terço, whose image was, until then, venerated in an oratory placed near the present church. On the main façade, the central window shaped as an aureole stands out.

Roman bridge composed of six round arches supported on quadrangular pegs decorated at the base by two projecting moldings. Above the arches there are a raised cornice and guards with gargoyles. In one of the corners that close the main arch, there is a carved half-moon.