Temple that demonstrates various mannerist, baroque and rococo details. As an example, the portal-reredos on the front stands out, which dates back to the early Baroque era. In the Rococo style, the carved altarpieces of the second chapel on the Gospel side, the chapel on the Epistle side and the main chapel stand out.

Nave church with a Baroque feature, façade of the late 19th century, and a Gothic portal. Inside, also include the gothic vaults decorated with starry warheads, the chapels for coffin and the 16th century Baroque carved the main altar. Stands out for its combination of Gothic, manueline and Baroque elements.

Temple built in the second half of the 18th century, has a Baroque façade, with two bell towers to skirt around the central body. The portico is crowned by the Royal coat of arms. To emphasize the altars of gilt and the altarpiece of the main Chapel, in Rococo style, and even the two retables ship's double.

This is a Romanic rural church but it has the doors and main chapel window already in Gothic style. It was founded in 1152 by Queen D. Mafalda. From the Romanic period it only maintains traces, namely the corbels and the portico with columns and decorated capitals. It possesses a rectangular tower and crowned by pyramidal merlons.

A Gothic temple whose decorative design extends beyond the church's structure. The main façade features a portal topped by a rose window. The three-nave interior features eight arches supported by columns with capitals decorated with phytomorphic motifs. A highlight is the Gothic-style holy water font.

This church was reformed on the 12th century maintain the main chapel, the sacristy and flying buttress from the 16th century. On the inside stands out the two lateral altars in polychrome carving from the end of the 18th century and the tunnel vault apse in masonry covered with blue and white glazed tiles.

A single-nave temple rebuilt in 1595 and renovated after the 1755 earthquake. Highlights include the blue and white checkered tiles, the 17th-century baptismal font (from the Várzea Church), the gilded carvings, the ceiling paintings with polychrome borders, the tombstones and ancient sculptures, and the paintings on the main altar.

This church, built between the 17th and 19th centuries, features Baroque characteristics but with some Neoclassical touches. The main facade is divided into three wall sections separated by Tuscan pilasters, and also features a segmental arch portal with a double carved molding. Inside, the decoration, in plaster and painting, is noteworthy.

Late-Baroque church with a longitudinal plan consists of a nave, a chancel and two volumes adossados, where the House of the order and the sacristy. It was probably built between 1747 and 1792. In 1860, was installed a pharmacy in the building of the House of the order. In the interior, especially the altarpieces of gilt and ship to the neoclassical main altarpiece.

A wide estuary, with several areas of benches and swamps. It is separated from the sea by the peninsula of Tróia and it is composed by two main regions: the central bay of Setúbal and Marateca and the Alcácer channel. The inner part of the estuary is surrounded by rice fields and cane fields and the outter part is densely populated and industrialized.