The uniqueness of this temple comes from the monumental height of the nave, with its slightly oval plan and walls, contrasting with the low, rectangular forms of the vestibule and chancel. The portal, topped by windows, is framed and sculpted. The gilded altarpieces and stucco work are particularly noteworthy.

Located at the historic centre of the city it was built over the portico that supported the ancient Roman Forum. The walls’ doors, part of the cloister and the ruins of the former church are from the XII century. At the Museum’s front are placed the portals of the extinct Santa Ana Church

19th century building with a simple rectangular plan, with two floors and a main façade with a central portal. It has a chapel attached to the rear facade, connected to the house from the inside. Highlight for the decoration of the main facade, with windows flanked by plant pendants.

Small rural Chapel dating from the 17th century, until the 19th century was called Chapel of São Sebastião das Pecking. Presents a simple longitudinal plant, with the main facade in gable and a straight Dick portal surmounted by a telescope and a Bell Tower. Inside, a mural painting dated from the second half of the 18th century.

Building from the second half of the XVII century that, since the earthquake of 1755, has been suffering works of repair and conservation, with a conception of romantic interior quite visible in the covering glazed tiles, painted ceilings and walls revetment. From the XVII century construction there is still the noble façade, at north, where the portal stands out.

Simple House and especially the chapel with decorated portal with cushioned pilasters and triangular pediment. The chapel has access by verga portal. The interior features wooden ceiling and reredos-mor in Mannerist gilded, composed of two floors.

Former Carthusian Convent, founded in the early 17th century by Saint Bruno, features a small cloister with three arches in each wing and a limestone façade.

This iron sculpture represents the time of the murder of Inês de Castro, taking as inspiration the picture painted in the early 20th century by Columbano Bordalo Pinheiro.

Spacious and modern, with a fountain, garden benches and some cafes. Historic square that continues, as in the early 20th century, being the meeting point of the population of Portimão.

A space with a large terrace that is always full. It is recommnded that one arrives early in order not to have to wait in line. The dishes are all rather well prepared.