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Convento de Santa Clara

  • heritage

Calçada de Santa Clara, 15
9000-036, Funchal

Funchal

This Convent assembles a set of buildings of extreme beauty. Although it is a construction from the XV century it is yet what it was built for 500 years ago: a convent of Franciscan nuns. The main chapel of the Nossa Senhora da Conceição church owns a magnificent silver sacrarium. It also has a large glazed tiles carpet from the XVIII century, representing the famous Santa Clara stone monument and, at the entrance, an important gothic tomb from the end of the XV century.

Casa de Almendra / Solar dos Viscondes do Banho

  • heritage

Largo da Amoreira - EN332
5150-014, Vila Nova de Foz Côa

Vila Nova de Foz Côa

Built in the 18th century, this house is considered one of the finest examples of Baroque civil architecture. Constructed of granite, it features Rococo decoration concentrated in the windows and main door. This construction demonstrates elements of Douro Baroque architecture, influenced by Nicolau Nasoni. In the early 19th century, Napoleonic troops were stationed here, later setting fire to the building in 1810 before withdrawing. From 1895 onwards, it underwent partial reconstruction, initiated by the 3rd Viscount of Banho.

Capela Nossa Senhora de Guadalupe

  • heritage

Largo de Nossa Senhora de Guadalupe
5460-370, Codessoso

Boticas

Deployed in the middle of the village of Codessoso the chapel dedicated to our Lady of Guadalupe is a simple plant building, North\/South-oriented. The main façade has a rectangular cover, with the lintel stone bearing the name: "CAVSA NOSTRA _ GOVERNMENT RTITIAE 1688", next to which is a granite pulpit, circular format. Inside stands the high altar, in richly decorated gilded, which houses religious imaginary. It is in this chapel that annually celebrated the mass of the feast of our Lady of Guadalupe.

Capela de S. Mamede

  • heritage

Rua da Capela
5460-492, Agrelos

Boticas

Set overlooking Agrelos Chapel, dedicated to Saint Mamede, is a temple in granite, rectangular plant oriented east-northeast (ENE)\/WSW at 10-Southwest (OSO). The main façade has a rectangular gate protected by a porch that connects the chapel a wall facing that sustains the Bell Tower. Inside stands the high altar in polychrome and gilded carvings, with religious imaginary. This is the chapel which is celebrated the mass of the feast in honour of s. Mamede, which is held annually in the month of August.

Capela de Santa Cruz / Capela do Calvário

  • heritage

Calçada de Santa Cruz
6200-082, Covilhã

Covilhã

Chapel founded by Infante Dom Henrique and restored by the Infante Don Luis, presents a longitudinal plant consisting of two juxtaposed rectangles, with an annex building of rectangular plant and some porches. The main facade has a porch supported by eight Tuscan columns based on a masonry wall, crowned by cornice. Inside, features painted caissons coverage representing scenes from the life of Christ, with gilded mouldings. Gospel side stands a pulpit of cubic shape in gilt.

Capela de Santa Margarida

  • heritage

Largo da Igreja
5460-010, Atilhó

Boticas

Classified as Municipal interest Property, the chapel of Santa Margarida boasts on a rectangular portal main façade, flanked by two horizontal slots, surmounted by a small oculus surrounded by a rosette. The stretching of the gable, the Campanile, richly decorated with volutes, is crowned by a cross flanked by two pinnacles with ball. Inside stands the high altar in gilt which houses religious imaginary. Space of worship, is in this chapel that the honors to Santa Margarida by the time of the feast of Saint Margaret, patron saint of the village.

Quinta Municipal de Subserra

  • art

Largo 1º de Maio, 1
2600, São João dos Montes

Vila Franca de Xira

Founded in the 17th century, its history has been, for more than three centuries, the history of the estate and its owners linked to nobility. The set consists of sunny building, the chapel of St. Joseph (founded in 1633, has, in its interior, 1468 and fabric of the main altar, painted in oil by Bento coelho da Silveira), facilities of agricultural character (Winery and barns) and space of gardens (with a moth geometrizing cold), a home and a source of great artistic interest rocaille.

Palácio da Bolsa

  • heritage

Rua Ferreira Borges
4050-253, Porto

Porto

Palácio da Bolsa was built in the mid-19th century by the Porto Commercial Association. In a Neoclassical style, this building reflects the commercial flourishing of the city of Porto. All the compartments on the main floor offer details that prove the enormous sumptuous interest: in the furniture, in the chandeliers and above all in the ceilings, some made of valuable wood. However, all covered with a thin film of gold, the Arab salon is the room that best crowns the large investment of the 19th century Porto bourgeoisie.

Igreja Paroquial de Granja

  • heritage

Largo do Meio da Aldeia
5460-451, Granja

Boticas

The parish church of Farm, dedicated to n. Sra. da Assunção, underwent restoration and expansion in the 18th century. Inside, the floor paved in granite are the altars: the high altar, in gilt, neoclassical style, occupies the entire wall of the headboard, and two side altars next to the triumphal arch, that imaginary House representing the main religious devotions. It is in this temple are celebrated the Sunday masses and religious crafts of the feast in honour of our Lady of the assumption, which is held annually on August 15.

Mosteiro de Santo Estevão de Vilela

  • heritage

EM602, 441
4580-660, Vilela

Paredes

The Santo Estevão de Vilela Monastery is composed of a church and of the monastery's house. It was built even before Portugal's foundation. By the church there is the old monatery's building, composed of three aisles with a square shape. There is a coat of arms on the main entrance that stands on a lintel in a segmetal arch that ends in a partial triangular shape. In the third aisle, a special note to the manuelin chimney. Inside the temple, the high altar is golden carved. The monastery is being restored and the space will be converted into a museum …

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