Opened in 1989, this museum showcases the cultural heritage of the village of Vilarinho das Furnas, which was destroyed by a dam (Vilarinho das Furnas dam) in 1972. It also displays some collections from other locations in the municipality of Terras de Bouro.

18th century church rebuilt in 1830. In 1758 it is referred to as belonging to the Monastery of São Cristóvão de Rio Tinto. In this temple, the fronts with tiles and panels of saints, the two towers and the carillon with 17 bells deserve special mention. Its imposing facade is still evident.

A fortified settlement from the Late Bronze and Iron Ages, upon which a city was built in Roman times. Temples, a commercial area, baths, pavements, and a hippodrome, among other remains, are evident. Of note is the ancient spectacle site, the Roman circus, with a capacity of 25,000 people.

Within this urban set, traces of Romanesque, Gothic, Manueline, Renaissance, and even Baroque and Neoclassical architecture are evident. Among the vast existing heritage, the Parish Church, the Palace of the Counts of Braganza, the Church of Senhor da Cruz, and the Fountain at Campo da Feira deserve mention.

Built for the Great Exhibition of the Portuguese World, in 1940, is has large lawns. The monuments paying homage to Gago Coutibho and Sacadura Cabral stand out. It is a great leisure area, ideal for walks, bicycle or skate rides.

Statue that pays homage to Aníbal Rao, a former priest of Castro Laboreiro, firm defender of traditions and landscapes of this land, since the nature and heritage protection to the protection of the region's dog, the Cão de Castro Laboreiro from.

A space that is approximately 50 hectares large, with wide lawns, supporting structures, benches and several shades. A most pleasant place that should be visited when one comes to Almada.

The main garden in Nazaré, located on the eastern part of town. Its name comes from the fact that it is near the Monte Branco (White Hill), with its special rocky formations.

A small fountain located inside a structure, with some benches inside. Its name (Fonte da Areia = Sand Fountain) comes from the large sand quantities in the place.

This obelisks coming from the Quinta da Prelada are two XVIII century works, made by Nicolau Nasoni. They were later associated with the entrance of the D. Pedro’s troops in the city.