Fountain that, in 1821, replaced the former Fonte da Ermida (from the XV century). It owes its name to the fact of the name of the fish that the water comes from was never found.

A well taken care of, large place with natural light coming from a glass wall that has views of the tennis court and the soccer field. The service is effective and the menu is tempting.

A simple and pleasant space, attended mostly by young where press the proper care and relaxation. The house specialty is the stylish French port, where her fame comes from.

It is a megalithic funerary monument, though partly cut by the path that leads to Castro de Lamachã. Features slight central depression and are not visible traces of dolmen, however, are evident the remains of lytic cuirass with abundant quartz stones. Is a prominent, but with little elevation about 11 meters in diameter.

The Roman Villa of Milreu, dating from the 1st or 2nd century, was remodeled in the 4th century. It was occupied until the 6th or 7th century. Currently, the structures of a large manor house, built in the 1st century and remodeled in the 3rd and 4th centuries, the agricultural facilities, a bathhouse and a temple are evident.

Bust erected in a square with the same name that intends to pay homage to this lawyer, statesman and liberal that he ended up becoming an inescapable figure in the history of Portugal. He is buried in the cemetery of the parish, according to his will, expressed in her will.

This bronze statue, built by the late José de Oliveira Ferreira, is located on a granite pedestal that is about one metre tall. Located in the centre of the Jardim das Mães (Mothers' Garden) it means to pay tribute to all the mothers.

Statue built to pay homage to the poet and pedagogue João de Deus (1830-1896). It is sited in a place called the “poets’ retreat” where also are several statues and effigies of famous poets that have been in the students’ city.

Located at the Praça dos Restauradores, it was built in 1886, pay homage to those who died during the Restauração War. The Bronze figures on the pedestal symbolize the victory and the liberty. The names and dates on the lateral part of the obelisk refer to the battles.

This church is notable building for its opulence and grandeur. Its foundation goes back to the first nationally times. In 1673, began its reconstruction that finished only in 1720. Its façade grows in height, with the two bell towers. The inside is one nave only, with wood ceiling. Worthy of notice are the 16 canvas, cased with gold wood carving and the main chapel.