This is one of the 23 sculptures worked live at I, II and III International Symposium of Sculpture of Cantanhede.

This is one of the 23 sculptures worked live at I, II and III International Symposium of Sculpture of Cantanhede.

This is one of the 23 sculptures worked live at I, II and III International Symposium of Sculpture of Cantanhede.

This is one of the 23 sculptures worked live at I, II and III International Symposium of Sculpture of Cantanhede.

A small botanical museum where one can view different exhibitions throughout the year, related to economical botanics or ethnobotanics. In that manner, one can get acquainted with the usage of the plants, as well as spices, fibres and colouring agents, gums, resins, aromatic and medicinal herbs, oil seeds, cereals, seeds and exotic fruits, ornamental plants and psycho-active plants.

Stone building with a statue of our Lady in tiles, with the date of 1858 entered. At the top, lies a sundial along with a small cross and a pinnacle.

Here you can appreciate crockery, glass and clay objects made in Oliveira de Azeméis. A room dedicated to Ferreira de Castro stands out, with the manuscript of "Os Emigrantes". The crockery, clay and glass objects made in Oliveira de Azeméis stand out.

Urban and isolated Chapel, with identical structure to the chapel of the Holy Christ of the cross, in the same region, because it has a porch supported by Tuscan columns. The facade is in granite, and, in the portal, you can see a color chart that has entered the date in which the works were finished (8 September de1867). In the 20th century was restored.

Circular castle facing the Tagus River, built in 1194 by Sir Afonso Pais and rebuilt in 1390 by Sir Nuno Álvares Pereira. It maintains the walls of the wall, partly battlemented and with traces of turrets. The entrance door was built in the 15th century and has a round arch. Inside the castle is the chapel of São Brás, which features a pleasant 17th century altarpiece. Belver Castle was the starting point for several actions against the Moors, and also served as support for King João I during the War of Independence.

This sculpture of King Dom Afonso Henriques, situated at one end of the Largo João Franco, soon after entering through the gates of the village, was opened in 2001 in the commemorations of the day 24 June municipal holiday in the city of Guimarães. To carry out this work, the author João Cutileiro was inspired by the books of primary statement of the 1940, where the first King of Portugal was represented with an amount.