The façade is typical of 18th-century art, with a door topped by an oculus and topped by a curved pediment, flanked by a bell tower. The interior is lined with tiles depicting jars and dolphins, dating from 1726. The gilded altarpiece of the main altar houses an image of Our Lady of Conception, the church's patron saint. Attached to the church is an interesting museum featuring sacred art.

This church has a simple façade with a blue top, very typical from this region, with some steps preceding the entrance. It used to serve the farmers working in the surrounding estates and it is known as the destiny for the Sunday’s services for this region citizens during the 19th century. The inside is totally covered with wall paintings besides the 17th century paintings. During the Easter it receives pilgrimages.

Deeply altered in the Modern Age, the Church of São Cristóvão, in the former municipality of Nogueira, is structurally a medieval, late Romanesque building, from which the axial portal and, on the sides, corbels, cornices, and frieze sections survive. Inside, the work of the main altarpiece and collateral altarpieces is notable, although most of this integrated heritage has been profoundly altered by recent interventions.

In this church constructed in 1496, it stands out the main façade sided by bell towers from the 17th century, presenting a magnificent Manueline doorway, laced and sculpted work done by João de Ruão. The interior presents three naves with wooden ceilings, separated by four round arches. On the transept chapels it stands out the golden carving and the coffered vaults.

This is one of the rock art sites in the Valley of the Coa, forming a rare set of this type of art, essentially composed of stone engravings dated from the Upper Paleolithic. The core of the Broeira, located in Larger Castle, consists of a shale rock with vertical pane where you can observe the recording of a number of reasons such as dorsal lines assigned to equidae as defined by lines incisas.

Construction ordered by the grandfather of the Marquês de Pombal, it is a palace from the XVII century with improvements made between 1760 and 1770. Besides its architectonical and artistic value, it also has the historic importance of being the birth place and house of the Marquês de Pombal. Its two main façades envelop an interior garden. There are two large gates facing north.

Architecture of religious type, composed of narthex, nave, chancel, vestry, sanitary installation and a Division wide parallel to the nave of the Church. The facade is of simple lines, with some shots in granite and other yellow and the Bell Tower, also added in the 18th century. A small reminder to the main altarpiece with 18th-century painting from the center that dates back to the 18th century

Recreational farm with a side chapel. Small details make this farm a place as beautiful as the fact that the garden save the primitive garden secular camellias. The existence of a private aqueduct that leads water from mines in Beech Hill until the fifth. And still retain the form of Division of property, characteristic of the 17th and 18th centuries. 16 and 17, referred to as "reserves of the landlord".

Late-Baroque Manor House, dating from the time pombalina, composed of two dissimilar bodies, of two floors, with chapel located near the larger body. Casa do Paço was founded in the 15th or 16th century, while the chapel was probably built in the first half of the 18th century. In 1997, this Palace opened to the public as the unit of Turismo de Habitação.

Cinquentist palace sited at the Coimbra wall, between the Almedina Arch and the Anto Tower. It includes the Casa de Baixo (Institute) and the Casa de Cima (private). Adapted from a medieval tower, it has an interior organization close to the Middle Ages buildings. Outside is the magnificent manueline portal, which is now used as an entrance to the University of Coimbra Archaeology Institute.