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Urbi Scalabis - Centro de Interpretação

  • heritage

Jardim das Portas do Sol
2000-118, Santarém

Santarém

This is an Interpretive Centre the Alcazaba de Santarém, currently occupied by the Jardim das Portas do Sol, which features the oldest and most important traces of the human occupation of Santarém. The showroom has a combination of traditional showcases with a multimedia component, as well as an interactive showcase with some explanations in his own Roman ruins.

Estúdio 22

  • art

Rua Dom Paio Mendes, 22
4700-424, Braga

Braga

Situated along the Sé de Braga, in the historic centre of the baroque city, the bar Studio 22 is a cultural space. Here are organized live concerts, exhibitions and other events that connect seamlessly with the space bar. Here are served at any hour light meals and tapas, accompanied with a flower tea or other drinks.

Boutique Hotel Poejo

  • hotels

Avenida 25 de Abril, 20
7330-251, Santo António das Areias

Marvão

Boutique hotel located near the medieval village of Marvao and da serra de São Mamede, with thirteen separate furnished rooms and well equipped. The building, dating from 1919, was renovated in 2007, keeping a alentejana typical moth. Features a library, restaurant with regional dishes and good conditions for the practice of hunting.

Estátua de Gonçalo Velho Cabral

  • heritage

Praça Gonçalo Velho Cabral
9500-063, Ponta Delgada

Ponta Delgada

Erected in the square with the same name, this statue, along with the city gates, forming the main entrance in the city of Ponta Delgada. Gonçalo Velho Cabral discovered the Formigas in 1431, following a first sighted Islands location trip by Diogo de Silves, in 1427. In 1432 landed on the islands of Santa Maria and São Miguel.

Igreja de São Pedro / Igreja Matriz de Cantanhede

  • heritage

Praça Marquês de Marialva, 38
3060-133, Cantanhede

Cantanhede

The classification includes the fifteen hundreds filling from which we can stand out several works on the lateral chapels attributed to João de Ruão, the sacrarium from 1542 and the Mercy altarpiece dating from 1554. This temple suffered several changes since the 16th century until the 19th century.

Palácio Bramão

  • heritage

Rua da Escola Politécnica, 147
1250-100, Lisboa

Lisboa

It is also called “Rebelo de Andrade” or Ceia Palace. This building from 1760 suffered some additions in 1840. placed on a sloping area, it has three floors in the main façade and four at the laterals and posterior façades. The noble floor differs from the others for the treatment given to the ashlar masonry and the iron on the balconies.

Igreja da Lapa

  • heritage

Campo da Restauração
7160-217, Vila Viçosa

Vila Viçosa

Church founded in 1756, with opening to the cult in 1764, and is one of the icons of Baroque architecture in the Alentejo. Consists of the Igreja de Nossa Senhora da Lapa, the pilgrims ' hostel and housing of the chaplain and the hermit. Currently, in addition to the worship and the procession which takes place in September, also works as a guest house and stable warehouse.

Porca de Murça

  • heritage

Largo 31 de Janeiro
5090-111, Murça

Murça

Shrouded in popular legends and its origin or purpose not known for certain, Porca de Murça (Murça´s Female Pig) is an unequivocal symbol of the town, even giving its name to well-known region's wines. It is a zoomorphic stone sculpture from protohistoric times and is thought to be a votive statue to sacred animals.

Quinta da Boa Viagem

  • heritage

Rua da Boa Viagem
4900-661, Viana do Castelo

Viana do Castelo

Renaissance and Baroque farmhouse, surrounded by a wall and covered by a trellis of vines, which gives access to the House. In your garden, highlighted by a four-metre high fountain and an outdoor terrace overlooking the sea. From 1990, works as a unit of Turismo de Habitação, function similar to the original: support for pilgrims and recreational farm.

Passos da Via Sacra de Elvas

  • heritage

Avenida de Garcia da Horta
7350-048, Elvas

Elvas

The class for this Monument is religious, with Baroque features: the angels, the volutes on the façade and the drapery on the marble altarpiece, besides the blue and white glazed tiles. Its construction was done by the hands of Thomaz de Barros (person who puts the glazed tiles) and António Sequeiro (the painter). The oil paintings should also be pointed out.

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