Here there are several schist houses, where the roof and portals stand out. In this parish, the main highlights are the Main Church and the Misericórdia Church, the Manueline bridge, the chapels of São Sebastião and Castelo and the Pombal fountain. Local handicrafts consist of tin and lace.

The building of the convent started in 1569 and intended to welcome the daughtrs of the Bragança citizens. It was occupied by the nuns in 1598. In the church, the renaissance portal that is dated 1597 and, in the high chapel, the ceiling with a section of the barrel-vault with panels and the triumphal arch with carvings stand out.

Mannerist Chapel of longitudinal plant simple, composed of a single nave and a vestry located near, with homogeneous coverage to two waters. The main façade has a portal for straight Dick and straight Windows. It was built in the 17th century and rebuilt in the 20th century.

Mannerist and Baroque church of longitudinal plant consisting of a nave, a chancel and a vestry located near more closely. On the main façade in gable features a double Bell ventana, a portal of verga straight and a big window in arc down late-Baroque.

Church dating from the 19th century, presenting a simple longitudinal plant consisting of a nave, a chancel narrower and lower and a Bell Tower. On the main façade, stands straight Dick portal surmounted by a window and, inside, include three altarpieces of gilt.

The church was built in the 15th century and underwent significant alterations later. The façade features a portico with fluted columns and a triangular pediment. The interior is lined with 18th-century tiles depicting scenes from the life of the Virgin. The chancel is Manueline, and the portals are Renaissance.

Baroque chapel, dating from the 16TH century, consisting of a single nave, a chancel and a vestry rectangle. It is torn by a portal in arch, framed by Doric pilasters supporting a Doric entablature. In the interior, highlighted by an 18th-century painting from Dalton Bustamane.

This is a building with an irregular composed drawing, built around a yard, integrated at the Moor wall. The XVII century portal and the coat of arms of the Figueiredo family are worthy of notice. Inside are the large salons that contrast with small divisions, corridors, landings and spiral stairs.

A neiclassic place, with a rectangular plan, two floors and a long straight façade. One should notice the forged iron adornations in the balconies of the main floor, the frames of the stonework on the main floor with architraves with a triangular gable and the axis marked by a monumental portal.

The uniqueness of this temple comes from the monumental height of the nave, with its slightly oval plan and walls, contrasting with the low, rectangular forms of the vestibule and chancel. The portal, topped by windows, is framed and sculpted. The gilded altarpieces and stucco work are particularly noteworthy.