Chapel with rectangular chancel and nave, where remains of the primitive moth, the columns with worked capitals and the vault of the chancel, edges, with carved bocetes. The main façade is preceded by a galilé alpendrada supported by columns. Inwardly stands out, in the chancel, the retable of gilt, laterally with Solomonic columns and arches supporting the Atlanteans of the dressing room.

The archaeological ruins of S. Cucufate date from the 1st century AD and testify the passage of Roman civilization through the region, at a time when a villa was installed here, in the center of a farm. The archaeological excavations that were being carried out on the land also allowed the discovery of the medieval cemetery of the friars and mural paintings.

The classification includes the fifteen hundreds filling from which we can stand out several works on the lateral chapels attributed to João de Ruão, the sacrarium from 1542 and the Mercy altarpiece dating from 1554. This temple suffered several changes since the 16th century until the 19th century.

This is a former male convent from the retired religious within the Order of Saint Francis, founded in 1527. In architectonic terms, the church underwent several transformations, mainly on the year 1725. On the inside the carved altarpieces stand out, brought by Seiça Convent and the high choir with life paintings from the Saint Patron life.

Plant with nave, main chapel, bell tower, vestry and Casa dos Milagres (house of miracles). Inside stands out the chapel of São João Baptista with golden carving retable and painted panel with Christ’s Baptism. At the house of miracles are worthy of notice the painted panels with the “Birth of the Virgin” and the “Presentation of the virgin in the temple”.

This Romanic church maintains the corbels around the building. On the main façade a portico stands out topped by a round window and on the posterior façade, there is a niche all in worked stone where it is possible to admire a sculpture from the Patron Saint in Ançã stone. The inside has one only nave with painted coffers on the ceiling.

The foundation date of this church is uncertain, but it is known that it was rebuilt at the end of the 15th century by Dom Manuel I and completed around 1510. It has three naves defined by pointed arches and is flanked by a bell tower. It is decorated with Manueline motifs and, inside, the pulpit and the vault of the chancel stand out. It was classified as a National Monument in 1910.

The class for this Monument is religious, with Baroque features: the angels, the volutes on the façade and the drapery on the marble altarpiece, besides the blue and white glazed tiles. Its construction was done by the hands of Thomaz de Barros (person who puts the glazed tiles) and António Sequeiro (the painter). The oil paintings should also be pointed out.

It is one of the largest and most important archaeological sites from Roman and medieval times on the Peninsula. From the town of Basilii, the foundations, the walls, floors and structures that were below ground are preserved. Among the finds made in archaeological excavations, the following stand out: the mosaic of horses, the mosaic of muses and an inscription dedicated to Mars.

Granite block located in the upper part of the village. It started out being called Penedo do Cheira, as it was located above the town of Cheira, but was later given the name Penedo de Castro, in 1908, in honor of the writer Augusto Mendes Simões Castro. This location offers an impressive panoramic view over Penacova.