This is a John Carr designed construction, with a salient entrance in the façade. The main façade is neoclassical. According to the initial plan, the building should have four façades but it ended in a U form because of the financial availability to execute the back façade.

Church of Baroque architecture but made on the medieval chapel. Shows insculpidas and walls crosses pilasters. The main altarpiece is Baroque, national framework of transition to the Johannine period. Sports murals depicting scenes from the life of Christ, in the chancel.

This church was built in the XVI century and it was under several additions in the XVII and XVIII centuries. The Renaissance main chapel has a remarkable sculptural ensemble, the “O Panteão dos Lemos” ( Lemos Pantheon) that includes statuary and low relief.

The Bonfim church, built in the XIX century, was planned by the architect José Geraldo da Silva Sardinha. The frontispiece is majestic, although the decoration is quite simple, as it also is on the inside. The main chapel has an arched roof ornamented with stucco.

This church was built on the 16th century and it was reconstructed after the 1755 earthquake. On the outside it is worth to mention the façade topped by a triangular pediment and finished by a cross. On the inside, the nave is split from the main chapel through a stone triumphal arch.

Founded during D. João I Kingdom, it presents one façade from the first half of the 17th century in Jesuitical style. On the main chapel altar it stands out the altarpiece in fifteen hundreds stone with Christ Supper.

Church built between 1763 and 1783 on the site where the Ermida do Espírito Santo previously stood. The main body, with a rectangular plan, features two integrated towers. At the back of the chancel there is an altarpiece in painted revivalist carvings.

This Romanic church has a simple main façade without decorative elements. On the top there is a campanile with two windows. On the inside it has one nave with wooden ceiling presenting a triumphal arch richly decorated. The statuary stands out.

This temple is preceded by an ample porch, topped by a Sun watch from 1738. On the main door it is possible to observe a baroque escutcheon with the biretta and the crosier allusive to the Saint. The inside is totally covered by glazed tiles from the 17th century.

Baroque church dating from the 18TH century, consisting of a longitudinal plan, with a nave and a chancel more narrow and low. The interior was much altered, having been added a floor. Abroad, highlighting the main façade and in the interior, to the pulpit.