This temple is preceded by an ample porch, topped by a Sun watch from 1738. On the main door it is possible to observe a baroque escutcheon with the biretta and the crosier allusive to the Saint. The inside is totally covered by glazed tiles from the 17th century.

Prehistoric grave with about 5500 years, which deserves to be visited, since it is the only dolmen in this county to possess an ochre painting, representing a Sun with seven rays. This type of art comes at a stage of regional megalithic. It consists of simple polygonal Chamber with symbolic corridor, wrapped in a TUMULUS. Highlights-the second mainstay on the north side of the Chamber, adorned by a solar motif painted in red ochre. Integrated into the Protected Archaeological Area.

Simple pattern, topped by an armillary sphere and a cross.

18th century building that displays the coat of arms of the Oaks and the piglets.

Church belonging to the College of the Holy Spirit, classified as a national monument. The first stone was laid in 1566, giving rise to a Mannerist style building, typically plant Jesuit. The front of the Church has a portico with seven round arcades. The ship is only in a Latin cross plant, with chapels and enriched by gilt.

A group of small windmills where the cereals where ground in the days of old. Currently there are only three windmills left in Porto Santo.

Statue of St. Anthony holding the boy, placed on a marble base and protected by glass walls and a small roof.

A monument built as a tribute to Saint Teresinha. It is a niche with three surrounding arches and, on top, a statue of Jesus in the cross.

A Romanesque temple founded in 1131, during the reign of King Afonso Henriques, outside the walls of Coimbra. In the first half of the 16th century, the Monastery was completely renovated by order of King Manuel I. Its main portal, executed by Chanterenne between 1522 and 1525, is its most emblematic piece. Inside, highlights include the Manueline vault covering the nave of the church, the tombs of King Afonso Henriques and King Sancho I, the Chapter Room (a Manueline work executed by Diogo de Boutaca), the Chapel of Saint Teotónio (a Mannerist work by the sculptor Tomé Velho), and the …