Silvares is on of the oldest villages in the parish and its houses are placed around the mother church, on the banks of the Zêzere river. It stands out for its narrow streets with old houses and features the following monuments: chapels of Saint Sebastião, Espírito Santo, Saint Eufémia and Saint Luzia, the crucifix, the fountains and th roman fountains. The crafts work includes drums, flutes, adufes (a kind of a tambourine), iron objects, regional embroideries and more.

The square has strong connections with the Discoveries, this was the former sand-pit where the Real cais de Belém used to anchor. Now it is a gardened area, sided by quickset hedges and trees (nettle-tree and stone pine), lake and sculptures, with the Afonso de Albuquerque, vice-king of India, statue, manueline style, standing out. This garden presents also four statues created by Barata Feio, placed at the square corners.

Church of the former Franciscan Convent of Santa Clara, founded in the 15th century. At the end of the 19th and beginning of the 20th centuries, the city of Beja suffered extensive destruction of its heritage, and only the church, the cloister, the chapter house, and adjacent rooms survived from this former convent. The Gothic portal on the facade stands out, and inside, the gilded woodcarving and tilework are noteworthy. The Queen Dona Leonor Museum is now located within the convent.

Built in the 13th century to house the mendicant order of San Francisco, it underwent several renovations in the following centuries, with the Mannerist façade dating back to 1635. In the second half of the 19th century, in the convent area, it was built the Military Hospital and, later, the Duke of Bragança Asylum. Among the various 18th century altarpieces it has, the one in the Chapel of Nossa Senhora da Conceição stands out, in which some rocaille applications are notorious.

Temple of neo-baroque structure, built in the early 20th century, on the site of the apparitions of our Lady. Dominated by a central tower of several floors, the colonnade is decorated by ceramic panels representing the Via Crucis. Designed by the Dutch architect Gerard van Kriechen and continued by the architect João Antunes, stands out for its dimensions, the statue of the Immaculate Heart of Mary in the niche of the tower and the mosaic that represents the Holy Trinity crowning of our Lady.

With a great architectonical simplicity, the Almas chapel dates from the beginning of the XVIII, and was repaired and enlarged in 1801. In 1929, the façades were covered with azulejos, by Eduardo Leite, representing the life of São Francisco de Assis and of Santa Catarina. The main façade presents a glass window by the painter Amândio Silva. Inside, the panel painted by Joaquim Rafael, representing the Lord’s Ascension and the image of Nossa Senhora das Almas stand out.

Installed in the building of the former Bishop's Palace of Bragança, this museum includes collections of Sacred Art, Epigraphy, Archaeology, Jewellery, Ethnography, Furniture and Painting, in which paintings by José Malhoa, Abel Salazar and 70 drawings by Almada Negreiros stand out. It was created in 1915, initially as the Regional Museum of Works of Art, Archaeological Pieces and Numismatics, adopting its current name in 1935 as a tribute to the researcher, scholar and former director of the Museum.

The Church dates from the XVI century but suffered profound changes during the baroque period, from which we point out the Nicolau Nasoni’s front. Neighbouring the church and the sacristy, you’ll find the Galeria dos Benfeitores, a fine exemplar of the iron architecture where valuable paintings are in exhibition, namely the famous Flemish painting “Fons Vitae”. In exhibition are also religious and civil jewellery Works from the XVI and XX centuries.

Built in the 16th century, the building initially housed the Convento das Freiras Terceiras Regulares de S. Francisco, dedicated to Nossa Senhora do Loreto. Later, in the 18th and 19th centuries, it was a military headquarters and hospital. After the explosion of 1810, it was remodeled and became the village's Mother Church. Inside, the Capela do Menino Jesus stands out, with a portal from 1699. Currently, the temple is dedicated to Nossa Senhora das Candeias.

This temple was constructed on the 16th century; it possesses three naves divided by round arches and fifteen hundreds columns with Ionic capitals. The wooden roof has in the central roof mate, an important and rare oeuvre. The main chapel has an altarpiece dated from the 17th century and the walls are covered in white, rose and black marble. It stands out the four panels in board with paintings from Diogo de Torres, the carving and the imagery.