Located in the Centre of Castelo Vide, the Yellow House is a small solar, whose construction dates back to the 17th century and is classified as a Building of public interest. Its main facade of yellow ochre stands out in the square d. Pedro V evading patterns of Castelo de Vide. Near the House you can also visit the Chiesa Madre (mother church) of Santa Maria da Devesa, one of the largest religious temples of the Alto Alentejo.

Country house located in a quiet area, which emphasizes comfort, tranquility, harmony and hospitality. Has good access to the Serra da Estrela mountain range and is located about 22 kilometers northeast of the county seat (Sabugal), roughly halfway between the border of Vilar Formoso, close to several historical sites of interest. Is composed of four rooms with bath, TV, DVD player, Wireless Internet and access to all common areas of the House and patio\/garden.

Classified as Property in the public interest is one of the most beautiful cruises. Have a platform in granite, with two steps, plinth, with faces decorated, has at the top inscribed "PASSIO DOMINI NOSTRI JESUS\/\/CERESTI THIS IF F\/MDCCLXXVI". The column ends in composite capital surmounted by a globe crowned by a cross, where stands out the iconography of sculptural representations that there are, on the front face a Pieta and the rear face, facing the chapel of Nossa Senhora da Saúde, the figure of San Antonio with the boy.

The cruise and the Shrine of our Lady of conception are a devotional structure supported by a plinth placed on a platform. The cruise, with a small octagonal shaft is topped by a ball which supports a Celtic Cross. In front of this are the Shrine of Nossa Senhora da Conceição, a beautiful work of masonry. Granite block, rectangular format, where, on the front, was carved a deep niche with arched top, framed by humanized figures holding a wreath. Inside the niche is the sculpture of our Lady of the conception on a Crescent Moon.

The Teatro da Trindade is the most well-preserved specimen of the Italian theater in the country, with a structure practically Virgin of cement and iron, allowing you to maintain a single acoustic and stage machinery that constitutes a unique heritage in terms of theatrical archaeology in Portugal. Also has a Studio Room, sala experimental (blackbox) with 50 seats. Hall, the excellence and the nobility of a lounge suitable for chamber music recitals and poetry, small exhibitions, autograph sessions, honors and prestigious presentations.

Palácio da Bolsa was built in the mid-19th century by the Porto Commercial Association. In a Neoclassical style, this building reflects the commercial flourishing of the city of Porto. All the compartments on the main floor offer details that prove the enormous sumptuous interest: in the furniture, in the chandeliers and above all in the ceilings, some made of valuable wood. However, all covered with a thin film of gold, the Arab salon is the room that best crowns the large investment of the 19th century Porto bourgeoisie.

The parish church of Farm, dedicated to n. Sra. da Assunção, underwent restoration and expansion in the 18th century. Inside, the floor paved in granite are the altars: the high altar, in gilt, neoclassical style, occupies the entire wall of the headboard, and two side altars next to the triumphal arch, that imaginary House representing the main religious devotions. It is in this temple are celebrated the Sunday masses and religious crafts of the feast in honour of our Lady of the assumption, which is held annually on August 15.

The name comes from the fact that the farm belonged to Luís Gomes Mata, "Correio-Mor" (chief of the post delivery) at the time of Filipe II. Built in the 18th century, the palace might have been designed by the Italian António Canevari, one of the architects of the Convent of Mafra. It is preceded by an emblazoned door leading to the patio. Inside, the tiles and stucco ceilings with paintings by José da Costa Negreiros stand out. In the gardens, the waterfalls and tiles with mythological scenes stand out.

Inaugurado em 1944, este salão foi projetado pelo arquiteto Raul Lino. Em memória do excelente trabalho de proteção e divulgação deste património hipomóvel, iniciado pela rainha D. Amélia, permanece no espaço do Antigo Picadeiro, um núcleo expositivo visitável com coches e berlindas, a galeria de pintura da família real, assim como um conjunto de acessórios de cavalaria.

A Vila Josephine é a casa onde as tias do escritor Vergílio Ferreira viveram e onde o escritor residia quando se descolocava a Melo, a sua terra natal. A casa é mencionada nas suas obras e à referências do escritor um pouco por toda a terra.. Situa-se junto da praça central onde se podem encontrar esculturas em homenagem ao escritor.