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Campo de Futebol de Romarigães
- leisure
Romarigães
4940, Romarigães
Football field turf without limits, has only beacons at the ends. Nice area due to the nature that surrounds it.
Pelourinho de São Mamede de Ribatua
- heritage
Largo do Pelourinho
5070-476, São Mamede de Ribatua
It is settled in four octagonal steps; it possesses a flat cylindrical column without capital, with square “cage” and pyramidal finish.
Fonte do Cimo
- heritage
Praceta Manuel Monteiro
3405, Vila Franca da Beira
Small fountain, built below ground level, without tank and with just a tap. Access is via a staircase in stone.
Praia da Piedade/ Praia de Jardim do Mar
- beach
Praia da Piedade/ Praia de Jardim do Mar
9370, Piedade
A beach without any type of infrastructure, it nevertheless boasts a calm and natural beauty that attracts mainly surfers and divers.
Antiga Capela da Misericórdia de Cós / Igreja de Santa Eufémia
- heritage
Rua Professor José dos Santos Teodoro
2460, Cós
Chapel of 17th century architecture, with nave and portal of lintel rectum.
Capela de São Sebastião
- heritage
Rua do Avelar
5470-235, Montalegre
Chapel of mannerist architecture, Bell and straight Dick portal and oculus.
Edifício na Rua da Misericórdia
- heritage
Rua da Misericórdia
2530, Lourinhã
In this two-storey building, stands a Manueline portal in the main façade.
Palacete Norton de Matos
- heritage
Alameda das Linhas de Torres, 150-152
1750-149, Lisboa
Baroque and Rococo Palace, irregular longitudinal plant, consisting of a central body highlighted and some extreme bodies access portals. On the main façade, highlighted by the two portals with late-Baroque influences.
Fundação Pedro Ruivo
- art
Avenida Doutor Júlio Filipe de Almeida Carrapato, 93
8000-081, Faro
The Foundation Pedro Ruivo gets its name from a culture director who devoted his time, knowledge and experience to music. Its purpose is to help young people who are musically gifted and to promote music.
Porta de Olivença
- heritage
Avenida de Garcia da Horta
7350, Elvas
Door was built in the reign of Dom Pedro II, then King of Portugal and the Algarve, to symbolize, as can be read in the inscription, the entry of so many triumphs of the Portuguese and spoils taken the Spanish with the help of God and of His Pure Mother.