Building built in the 11th century was restored between 1490 and 1510. It features a Manueline style with a naturalistic character, already influenced by the Renaissance. Inside, with three naves, the three altarpieces stand out, the main one from the 17th century and the secondary ones from the 16th century. Outside, the highlight is the door on the side wall, which has some Moorish influence.

This building has one only nave covered with tiles from the XVII century and rectangular main chapel which displays ashlars in tile topped by two painted panels from the XVII century with carving frames. In both sides there are the square towers with the bells. It should be pointed out that the classification includes the entire cover in tiles, carving and painted panels.

Deeply altered in the Modern Age, the Church of São Cristóvão, in the former municipality of Nogueira, is structurally a medieval, late Romanesque building, from which the axial portal and, on the sides, corbels, cornices, and frieze sections survive. Inside, the work of the main altarpiece and collateral altarpieces is notable, although most of this integrated heritage has been profoundly altered by recent interventions.

In this church constructed in 1496, it stands out the main façade sided by bell towers from the 17th century, presenting a magnificent Manueline doorway, laced and sculpted work done by João de Ruão. The interior presents three naves with wooden ceilings, separated by four round arches. On the transept chapels it stands out the golden carving and the coffered vaults.

This church is notable building for its opulence and grandeur. Its foundation goes back to the first nationally times. In 1673, began its reconstruction that finished only in 1720. Its façade grows in height, with the two bell towers. The inside is one nave only, with wood ceiling. Worthy of notice are the 16 canvas, cased with gold wood carving and the main chapel.

Construction ordered by the grandfather of the Marquês de Pombal, it is a palace from the XVII century with improvements made between 1760 and 1770. Besides its architectonical and artistic value, it also has the historic importance of being the birth place and house of the Marquês de Pombal. Its two main façades envelop an interior garden. There are two large gates facing north.

From the fifteen hundreds period, the church still preserves the Manueline door, with slender columns and decoration using vegan elements. The inside has one only nave with tunnel ceiling with painted coffers. It should be mentioned the altarpiece on the main altar from the 17th century and the glazed tiles cover. The Calvary, placed in the church yard is from the 17th century, as well.

This church is located in the main square of Salvaterra de Magos, with construction beginning in 1296 and undergoing several subsequent renovations. In the former sacristy, one of the tile panels bears a cartouche with the date 1725. Inside, one of the naves has a false wooden vaulted ceiling with a painting depicting its patron saint, Saint Paul, rising to heaven, guarded by a group of angels.

Architecture of religious type, composed of narthex, nave, chancel, vestry, sanitary installation and a Division wide parallel to the nave of the Church. The facade is of simple lines, with some shots in granite and other yellow and the Bell Tower, also added in the 18th century. A small reminder to the main altarpiece with 18th-century painting from the center that dates back to the 18th century

A 16th-century church, rebuilt in the 18th century after the 1755 earthquake. It features a Renaissance portal, and its interior is extremely simple, with a single nave and a triumphal arch. The altarpiece in the main chapel, a polychrome woodwork decorated with gilded Baroque carvings, is noteworthy. One of the church's wings currently houses the Monsenhor Manuel Francisco Pardal Museum of Sacred Art.