Chapel of mannerist architecture with unique interior space covered with roof of mixer. Presents the bare interior with sink of holy water on the side of the Epistle.

Eclectic and revivalist Chapel, longitudinal plant consisting of a nave and a chancel and vestry adossadas the right side facade. There is also a Bell Tower slightly indented, torn by ventanas on bow down.

19th century chapel with nave and chancel internally differentiated. Features, inside chorus-high and holy water sinks.

Vernacular Chapel and Mannerist, longitudinal plant simple, consisting of a unique space and with homogeneous coverage in gabled roofs. It was built between the 16th century and the 17TH century, suffering after refurbishing in 1949.

Mannerist Chapel of longitudinal plant. The Bell Tower did not exist in the original plan.

Seventeenth-century chapel which originally belonged to a group of buildings of the Oratory of Saint Catherine, designed by Fr. Andrew of San Bernardino. The façade has straighter Dick portal surmounted by high window of appliance rusticated and finished in triangular pediment and a small bell. Inside, the gilded altars, a pulpit from the 17th century, and a few pieces of eighteenth-century imaginary.

Chapel founded by Infante Dom Henrique and restored by the Infante Don Luis, presents a longitudinal plant consisting of two juxtaposed rectangles, with an annex building of rectangular plant and some porches. The main facade has a porch supported by eight Tuscan columns based on a masonry wall, crowned by cornice. Inside, features painted caissons coverage representing scenes from the life of Christ, with gilded mouldings. Gospel side stands a pulpit of cubic shape in gilt.

Baroque chapel with the main façade in the gable cornice, torn by broad gate back perfect, possibly of the 19th century. Have inside a cruise with sculptural Group on both sides.

Vernacular Chapel of longitudinal plant, consisting of a chancel, a vestry and an attachment adossados. Featured, inside, the altarpiece in stone dating from the 16th century and, abroad, for the font embedded in the wall, which is believed to have been devotional.

Small rural Chapel very simple, with the interior more careful decorative point of view, especially in the pulpit, situated on the side of the Epistle, and the altarpiece of carved polychrome of the Mannerist style.