A neighbourhood garden with an old kiosk, located in a small square of the eastern part of Lisbon, near th river, by the wraehouses of the firm Abel Pereira da Fonseca, from 1910, that have been restored and adapted to become a cultural space.

Surrounding a manor of the beginning of the 20th century (art nouveau style), the garden of the Barbot Family's House features influences from the 19th century, with the decorative and architectonic elements standing out: grottos, bridges, a small lake, a greenhouse and a belvedere.

The construction of the Quinta da Bacalhoa goes back to the XVI century and its gardens present a mix of renaissance style with Lusitanian tradition. Restored in 1937, the farm is considered, in its set, the most important from the beginning of Portuguese renaissance.

The Fortress of São Filipe, located only 1 km away from Setúbal, offers a unique view of the city and the sea. The spring, the Sado River and its estuary split the horizon, adding more blue to this already blue scenery.

House dating from the 19th century, having been the residence of Bernardo da Costa Cabral, 1st Marquess of Tomar. In the late 20TH century, 70 worked here the Court. He currently works as the residence of students and teachers.

The primitive construction dates back to the 16th century, the current building only from 1998. Presents a longitudinal plan with a nave and a chancel, with differentiated ceilings closer wood in mixer. The main facade is gabled, torn by a round arch portal.

Calvary and steps from Via Sacra are seventeenth-century and eighteenth-century building. The chapel features neoclassical architecture and longitudinal plan simple. The cruises are based on plinths, with octagonal shaft, where they board-shaped capitals with simple cross.

This chapel, from 1742, was built in the honour of Our Lady of the Remédios. It has an octogonal shape and in its interior the late baroque retable of polychrome carvings that imitates marble and a stonework of white and blue tiles with hagiographic thematic stand out.

Chapel with nave and chancel of smaller dimensions, the sacristy adossa. The main facade is gabled, with cross at the apex and pinnacles surmounting Freestone corners. Inwardly, we highlight the Gothic altarpiece, representing scenes from the Passion, and some imaginary parts.

Alpendrada Chapel of longitudinal nave plant with characteristics of transition from Mannerism to the Baroque. Visible in breaking the simplicity of the facades by elaborate pinnacles of corners and Bell 's. The porch contrast with the small size of the Chapel, giving it great beauty and monumentality.