In this Chapel stands the main façade in truncated Gable for perfect back Bell, torn by straight Dick portal. Inside, stands out an ara of altar, surmounted by a Mannerist retable structure.

Probably built in the 17th century chapel, with a quadrangular plant with domed cover. The interior features two Tuscan columns, identical to those of straight Dick portal located in the main façade.

Outside the chapel is the magnificent manueline portal. The inside is of great refinement, with the organ, the silver lamp and the cup, the glazed tiles at the main-chapel and the nave and the ceiling with “ferronerie” paintings standing out.

Stones from an old fortified settlement were likely used in the construction of this temple, and two Roman tombstones were included on the façade. Of particular note is the Gothic portal and a Romanesque capital.

Church built in 1456, when Jácome came from Bruges to take charge of the captaincy. Highlights include its portals, the Manueline vaults of the side chapels and the Renaissance wooden altarpiece.

Church rebuilt in 1758 on an ancient temple that had belonged to the Knights Templar. Presents the main facade with three cloths, central ripped by a rectilinear profile portal and the right side with a Bell.

Church of longitudinal plant consisting of a nave of three bays. It is possible to observe traces the 16th century arched portal pointed out. The chancel has Baroque decoration, still intact.

There’s a portal of masonry work with a circle arch sided by columns and ended by a fronton with the arms of the counts of Prado. Also worthy of notice are the golden carving altar pieces and the representation of the Jessé Tree.

Convent of Baroque and neoclassical architecture, integrating a church cross plant. On the main facade, emphasis on Baroque and decorated portals, inside, highlighted by a choir stalls with representation on the backrest of the saints of the order.

Church with a single nave and lateral chapels. At the simple front the classic portal stands out and, inside, the mannerist wood retable of the main chapel and the baroque lateral retable are worthy of note.