This church is linked to a popular tradition that tells that the waters of the Tejo have, at the time of the earthquake, advanced and endangeered the population. Thus, the fishermen have grabbed the image of the patron saint that made them miraculously go back and saved them from the tsunami. The façade is typical of the post-earthquake times. A special note to the sun clocks on the left tower, some of the finest exemplaries in the region.

This is a church within the rural type in which stands out, on the main façade, the Manueline doorway in full arch framed by conic shaft. On the sides there is a shed with Tuscan columns. The inside has one only nave and it is covered with seventeen hundreds glazed tiles with scenes from Christ’s life. It is also worthy to mention the altar in baroque carving, the baptismal font and the painted ceilings.

Commissioned by King Afonso II in 1215, this church was destroyed by an earthquake in 1429 and rebuilt from 1433 onwards. In the last quarter of the 15th century, the tombs of Don Diogo and Don Lopo were built here. Of particular note are the Gothic triumphal arch, the 16th-century tombs, the Mudéjar tile panels, and part of the original altarpiece. In 1921, the Abrantes Regional Museum was established here.

This monument was built outside the city walls on the place where it used to be an ancient – Christian basilica; the exact date of its foundation is unknown. Its present configuration is the result from the alterations and transformations operated, mostly during the 15th and 16th century. This church shelters the Visigoth Museum Queen Dona Leonor. Here it is possible to admire the biggest ensemble of Visigoth capitals existing in Portugal.

This is one of the rock art sites in the Valley of the Coa, forming a rare set of this type of art, essentially composed of stone engravings dated from the Upper Paleolithic. This core consists of two shale rocks with engraved panels: one of them, today submerged, the recording of a slender neck deer, schematic, obtained by incision; on the other are engraved several filiform, Zoomorphic motifs and weapons.

This is one of the rock art sites in the Valley of the Coa, forming a rare set of this type of art, essentially composed of stone engravings dated from the Upper Paleolithic. This nucleus, consisting of approximately 24 rocks, was executed between the Upper Paleolithic and CHALCOLITHIC. In its vertical panels, mostly turned over the course of the Coa, there are recordings of Zoomorphic motifs perforation and abradidos and rare incised motifs.

This is one of the rock art sites in the Valley of the Coa, forming a rare set of this type of art, essentially composed of stone engravings dated from the Upper Paleolithic. This core consists of a shale rock, spring-driven, where if there are reasons for perforation representing schematic anthropomorphic figures with helmets of horns, recorded on the vertical panel and some traces still items without that form motifs.

Dating from the Late Neolithic, is in excellent condition. It is well signposted and has excellent access. This dolmen was classified as a National Monument and is protected by a fiber cement covering. It has a polygonal chamber with nine pillars, a corridor over seven meters long and well-preserved tombs. Furthermore, the atrium and the monumental roof slab on which dates and religious symbols are inscribed are clearly visible.

Built on the occasion of the Portuguese World Exhibition, the ostentatious Padrão, a work by Leopoldo de Almeida, rests on a compass rose and its design in the form of a caravel is imaginative. Inside the monument, an elevator goes up to the sixth floor, where you have access to a terrace from which you can get a fantastic panorama of the Tagus River and Belém. The attics house temporary exhibitions.

Moorish patch consists of a large granite monolith that form a large cavity with rounded surface. The only opening is facing This, namely to the Cávado. This site brings together all the features to have been a potential shelter of human population, in various stages of prehistory, however, will require archaeological work demonstrating the occupation of the site. It is a large shelter, very protected from the weather with a water line.