Late Gothic church that succeeded an even older one and grew from just one nave to three. Inside, the highlight goes to the Chapel of Nossa Senhora da Conceição, which belonged to the Solar de Bertiandos.

Statue that pays homage to Aníbal Rao, a former priest of Castro Laboreiro, firm defender of traditions and landscapes of this land, since the nature and heritage protection to the protection of the region's dog, the Cão de Castro Laboreiro from.

Neoclassical building of rectangular plant, consisting of two floors, loft and terrace. Initially functioned as Bishop's Palace, being adapted in 1912 and transformed in maternity Doctor Daniel de Matos, belonging to the Faculty of Medicine of Coimbra.

The former Elvas Cathedral, built in 1517 to a design by Francisco de Arruda, underwent significant modifications in the 17th century. It has a longitudinal plan and consists of three naves. The 17th- and 18th-century tilework stands out.

Church of baroque architectural composition, has an interior lined with tiles from the 18th century by Policarpo de Oliveira Bernardes. This set, representing scenes from the life of the patron saint, is one of the most important in the country.

This Padrão was rose by orders of D. Afonso VI as a celebration from Linhas de Elvas battle. It was constructed in white marble from Estremoz and it is formed by a Tuscan column settled above a square pavement with three steps.

Of the original 14th-century Canas de Santa Maria temple, only the façade remains. The National Monument classification covers only the façade, which features the portal with an ogival arch and a bell tower with two windows.

Church initially built in the Valley of the Ribeira de Barcarena. Only in 1736 was built at this location. Highlighting the two bell towers, embellished with an original work in masonry, and for a set of 18TH century tiles that line the nave and the chapel.

Built in 1761, the classification of National Monument only includes the main portal, Manueline, from the Conceição dos Freires Church. Inside are worthy of notice the P. Alexandrino paintings and the images attributed to Machado de Castro.

Old beatério of very simple construction, without ostentation and with a church without façade facing the street. It was founded by testamentary disposition of d. Joana de Azevedo Mourão Castelo Branco, widow of Fernão Vaz Strain.