Integrado no Teatro Nacional D. Maria II, no coração do Rossio, apresenta uma carta de sabores únicos com a assinatura de Ohana by Naz.

This pillory is composed by a four steps basement and a shaft with two twisted and striated sections. On the shaft top there is a capital with Batalha blazon where it stands out Santa Maria da Vitória the patron saint. It is finished by a terminal piece presenting in its centre, the Cross of Chris in iron.

The first stone of this building was laid on July 3, 1649, during the reign of King John IV. The new Monastery was built to house the body of Queen Saint Isabel and the Poor Clare nuns from the original Convent of Santa Clara, which was in an advanced state of disrepair. The church, with a single nave, consists of a choir and a chancel. In the lower choir is the original tomb of Queen Saint Isabel, executed by Master Pero in 1330, a work sculpted from a single block of limestone. On the walls, tiles and altarpieces from the …

The Pico Island Vineyard Culture Landscape is made up of Lajido da Criação Velha and Lajido de Santa Luzia, occupying a total of 154 hectares. These sites constitute excellent representations of traditional architecture, landscape design and natural elements, located on extensive lava fields. Since 2004, the vineyard landscape on the island of Pico has been classified by UNESCO as a World Heritage Site.

Este luxuoso hotel de 5 estrelas resulta da reabilitação de uma parte da Estação Ferroviária de Santa Apolónia, em Lisboa. Dispões de 126 quartos alusivos à temática da herança ferroviária portuguesa, restaurante, bar e fitness center.

Pedestrian path starting near the mouth of the Trancão River, passing by the parishes of São João da Talha and Finland, ending at São Julião do Tojal. Always accompanies the River, even along the shores, going through various points of interest such as the Chiesa Madre (mother church) of Santa Maria de Sacavém, the convent of our Lady of martyrs, the Redoubt of Monte Sintra, the former factory of Sacavém dishware and a Roman bridge.

18th century work also known as Aqueduct of the convent, consisting of a long arched colonnades, today partially ruined. It is an artificial channel built from the convent of Santa Clara to the East and initially comprised of 999 arches. It has a wingspan and height arches backwards, with broken arches and upper rounded channel profile.

Old chapel of which only have one part of the wall edge of the chancel, where one can find a fresco of the 16th century. This painting, with approximately 1.5 square feet, represents the figure of Santa Luzia, with the Palm, a symbol of martyrdom, in the right hand and a tray with two eyes on her left hand.

A neoclassicist chapel, dating back to the 18th century, with a longitudinal plan and the interior decorated with neoclassicist retables. In 1956 the main façade was covered by white and blue tiles. On the left side we can see Saint Anthony and read and inscription that says: "Fábrica do Carvalhinho" (Carvalhinho Factory) and below "Capela de Santo António do Telheiro" (Chapel of Saint Anthony of Telheiro). On the right side we can see an image of Our Lady of Fátima and an inscription that reads: "Restored in the year 1956".

With a great architectonical simplicity, the Almas chapel dates from the beginning of the XVIII, and was repaired and enlarged in 1801. In 1929, the façades were covered with azulejos, by Eduardo Leite, representing the life of São Francisco de Assis and of Santa Catarina. The main façade presents a glass window by the painter Amândio Silva. Inside, the panel painted by Joaquim Rafael, representing the Lord’s Ascension and the image of Nossa Senhora das Almas stand out.