The primitive foundation of the Church of Saint Pedro dates back to the 17th-18th centuries and has three naves with with an arch that stood on columns. Totally destroyed by the earthquake of 1755, only vestiges of the old portal on the facade remain. A special not to the high altar with a magnificent golden carved baroque retable and a painting that represents Saint Peter receiving the Heaven's Keys from Jesus.

18th century Church of longitudinal plant consists of a wide nave and a narrower chancel, a Bell Tower located near on the right and a sacristy and annexes adossados on the left. It was built in the 16th century and remodelled in the 18th century. Emphasis on the exterior door of the sacristy, 16th century; for the 17th century main portal and for stone grave cover with engraved inscriptions, 17th century.

Manueline building with Mudejar influences, designed by Diogo Arruda. The church features a wide nave with a small apse flanked by two apsidioles. The main façade features a wide Manueline portal and a small openwork window with a round arch. It is decorated with 18th-century murals. Inside, the church is structured in three naves of five bays, with the apse almost embedded in the wall.

This Romanesque church was founded in the 12th century. It is also known as the Church of Our Lady of the Conception or the Church of the Acronyms due to its extraordinary carving of signs, or stonemason marks. The granite façade features a pointed arch portal with sculpted capitals. The interior has a single nave covered with a Hispano-Arabic ceiling. It is the only temple of the Premonstratensian (Augustinian) order in Portugal.

Located in a hermitage near Castelo Branco, this late-Gothic church was built by friars of the Order of the Temple. The entrance portal and the two lateral ones are ogival, while the interior features different tiles, of Hispano-Arabic origin, and records of frescoes. It comprises a single nave and an apsidal chapel, having been the subject of major works between the 17th and 19th centuries.

It used to be a part of the Convent of Saint Domingos, estroyed by a fire at the beginning of our century. The façade has a renaissance composition that circles the portal, which is sided by columns with chapiters. Between th columns there are two sculptures representing the Apostles. The interior has only one nave. A special note to the tomb of the Archbishop frei Bartolomeu, of 1590, who promoted the convent's construction.

Deeply altered in the Modern Age, the Church of São Cristóvão, in the former municipality of Nogueira, is structurally a medieval, late Romanesque building, from which the axial portal and, on the sides, corbels, cornices, and frieze sections survive. Inside, the work of the main altarpiece and collateral altarpieces is notable, although most of this integrated heritage has been profoundly altered by recent interventions.

It is also known as independence Palace. Is a valuable copy of the seventeenth-century civil architecture, with 16th century roots, in which stands out the gate, South facade, framed and superimposed a balcony of balusters to guarnecerem the central window, overmatched by the arms of Almada. Inside are two patios, with 16th century portals, taking the bottom two chimneys also 16th century.

A 16th-century church, rebuilt in the 18th century after the 1755 earthquake. It features a Renaissance portal, and its interior is extremely simple, with a single nave and a triumphal arch. The altarpiece in the main chapel, a polychrome woodwork decorated with gilded Baroque carvings, is noteworthy. One of the church's wings currently houses the Monsenhor Manuel Francisco Pardal Museum of Sacred Art.

The longitudinal nave is divided into three sections, from which the transept arms and the two towers of the façade stand out. The façade is imposing, marked by two symmetrical lateral bell towers. The nave has a full-round vault roof, and lighting is provided by the nave's large windows. The church's entrance portal, dating from 1755, is a meticulous Rococo piece.