Building constructed between 1878 and 1882, taking advantage of some materials of the old convent of Friars Crosier. Is composed of a central body and two lateral, project engineer Alfredo Soares.

The construction of this building started in 1520 and lasted until the end of the century. The project is due to John Lee, the younger. Is one of the most interesting works of civil architecture of the time. The façade, facing the square, is formed by two balconies alpendradas with columns that are based on carved lavishly arched colonnades of arches of volta redonda. The encimar facade is a triangular pediment. On the West side, the granite portal, with various sculptures.

Granite fountain, ornamented in the front by a column and a cross to the Center. The sink is rectangular and is inserted into the soil.

This winery has a Roman, or Visigoth or Arab construction and it was possible built on the VII or VIII centuries. It is composed by two trough dug on the rock and another rectangular with smaller dimensions, acceded through stairs.

This religious monument consists of a three-bay nave, a chancel, side chapels, a sacristy, and a bell tower. The main façade consists of a rounded portal and a circular oculus, flanked by a bell tower, the upper one having a double bell tower. This façade features a window overlooking the Stations of the Cross. The interior features the baptistery, which houses the baptismal font, the Mannerist niche, the painted panels of the chancel and altarpiece, and the Christ the Redeemer statue on the tabernacle door.

Built, probably, in the XII century, it was rebuilt in the XIII century by the Templar, and suffered later various acts of vandalism, being reduced to ruins. It suffered successive interventions and is now a work mainly from the XIX century.

13th-century building, rebuilt after the 1755 earthquake. It maintains the Gothic structure and portal. In the main chapel is the tomb of the seven Knights of the Order of Santiago killed by the Moors in an ambush, which legend associates with the conquest of the city. From the collection of sacred art, comprising pieces of goldwork from the 16th and 18th centuries and vestments, a missal stand from the 16th / 17th centuries, from Japan (“nambam” art) deserves special mention.

The façade displays some traces from a Romanic doorway which panels are ornate by two pigeons. The inside has one only nave standing out the baptismal font that has it origins on the fifteen hundreds period, the pulpit and the image from Santa Maria.