Bike path that goes from praia de Cabedelo to the praia da Madalena, from which are possible beautiful views over the sea.

Building with a small chapel on the ground floor. It has rare kinds of glazed tiles from various periods from the XVII to the XIX centuries.

This church is remarkable for its reddish stonework in red sand from Alveite, for the altar in baroque style and for the images from the XV and XVIII centuries.

This is a church from the seventeen hundreds with a porch in the façade. On the corner there is a sun watch dating from 1763. On the inside it stands out some images.

Ruins already barely visible from a convent of the Capuchin Order, dating from the 17th century, yet the architectural vestiges justify a visit

Built in 1568, you can admire the azulejos sevilhanos (tiles from Seville) in the bell tower area and the limy panel o f the coimbrã workshop, from the XVI century and also the azulejos lisbonenses covering, from the XVII century.

This manor house is dated from the second half of the 18th century. In its south façade it is possible to notice characteristics and influences from Carlos Mardel. It possesses a low façade and a monumental doorway with crenels and sculptures. Separated from the house, there is the chapel.

Church probably built in the 13th century or 14TH CENTURY, consisting of a longitudinal plan with two juxtaposed rectangles, divided into a nave and a chancel lower and narrow. This temple features, on the façade, the portal with ridged and Romanesque rosacea imposed and, laterally, a port also Romanesque. Here he married the infanta d. Maria, daughter of d. Afonso IV.

On the main facade of this church, stands a Manueline portal of Arch of carena. The interior is of a ship, 1468-lined and covered with roof of mixer painted. The chancel is of the late 18th century, and here, a large canvas of Pedro Alexandrino, "Supper", in 1802. In the chapel of Santo António, flooring tile "carpet" and the Tabernacle of the altar in carved 17TH century, overlaid by a crucifix in ivory.

The church was rebuilt in the 16th century, but today it retains little of its original design. On the main façade, the Manueline portal, framed by pilasters with Renaissance decorative elements, and the 16th-century bell tower stand out. Inside, the 18th-century tile cladding, the Baroque carved altarpiece, and the 16th-century paintings of an old altarpiece deserve special attention.